Molly, former baby prostitute "Angel" from Sunset Boulevard, has managed to leave her street life with help of Lt. Andrews. She studies law at an university and aims to become attorney. ...
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15 year-old Molly is the best in her class in high school. Nobody suspects that the model pupil earns her money at night: as prostitute "Angel" on Sunset Blvd. The well-organized separation... See full summary »
Molly is now a freelance photographer in New York. She runs across a woman at an art show that looks familiar. She goes to L.A. to find out that this woman is in fact, her mother. She also ... See full summary »
Molly is now a police photographer in a relationship with a DJ. Her old friend from the streets gets in touch with her. She's in town with a band and hot for the lead singer. Her friend ... See full summary »
In 1956, the shy Jonathan's luck with girls changes when he wins the rebellious Gene as a friend in his last year of high school. Gene is adored by many girls and manages to teach Jonathan ... See full summary »
Catherine Mary Stewart,
Molly, former baby prostitute "Angel" from Sunset Boulevard, has managed to leave her street life with help of Lt. Andrews. She studies law at an university and aims to become attorney. When she learns that Andrews was shot during a failed observation by brutal gangsters, she returns downtown to take revenge. She frees Kit Carson from the old people's home and together with the other old friends she tracks down the bad guys.Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Betsy Russell is 4 years younger than Donna Wilkes, who played Angel in the original movie. See more »
18 minutes into the film when Angel is walking down Hollywood Boulevard in front of extras some are looking at the screen and the three girls in the booth actually point and wave to the camera. See more »
His name was Prince Charming. Oh and this guy spent months to find her. He went from flop house to flop house. From bread line to soup kitchen to no avail. This prince had one hell of a time trying to find her. But through it all he never gave up. He was determined to find the woman who fit into this glass slipper. And this woman? Let me tell you guys, she was the most gorgeous, most delicious that he had ever seen. I'm talking beauty. I'm talking she is absolutely lucious. She was kinda like.....
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Wow, Molly Stewart, AKA former prostitute 'Angel', sure has changed in the three or four years since she quit hooking on the Boulevard: now played by Betsy Russell (replacing winsome Donna Wilkes, star of the first film), she's gained a couple of cup sizes, developed longer legs, sports an impressive perm, and is training to be a lawyer, thanks to the help of her guardian, Hollywood vice cop Lt. Andrews (Robert F. Lyons).
Molly's new life goes on hold, however, after Andrews is shot dead by gangsters; teaming up with her old pals, aging cowboy Kit Carson (Rory Calhoun) and lesbian landlady Solly Mosler (Susan Tyrell), she once again walks the sleazy sidewalks of Hollywood as Angel, this time looking for revenge.
For this cheesy sequel to his 1984 exploitation movie Angel, director Robert Vincent O'Neill throws any sense of realism in the nearest side-alley dumpster, opting instead for a much campier approach, his eccentric misfit characters even more exaggerated than before, his villains ridiculously reprehensible, and the violence about as cartoonish as it gets.
The film begins promisingly enough, with a car full of gangsters loading their weapons while heading downtown to 'off' a big-breasted undercover cop (who is busy taking a shower, natch!), a blaring Bronski Beat soundtrack giving everything that delightfully tacky 80s vibe. When the killers make their move, they blast their victims in the guts, resulting in some messy squib-work. Unfortunately, after this impressive opening, everything gets rather too comical for my liking (Rory Calhoun riding a gurney like a rodeo champ, as Angel and Solly bust him out of a sanitarium being the most cringe-worthy moment).
Still, even though Avenging Angel lacks the gritty edge that I generally look for in my vigilante/revenge flicks, and gets really, really dumb towards the end, the ever present sight of the delectable Miss Russell in a series of tight-as-you-like outfits, including a very sexy nurse get-up, makes the film just about bearable (no nudity from the star, but hey, I've always got her 1983 film Private School for that!).
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