Norman is a curmudgeon with an estranged relationship with his daughter Chelsea. At Golden Pond, he and his wife nevertheless agree to care for Billy, the son of Chelsea's new boyfriend, and a most unexpected relationship blooms.
Jane Fonda gives an Emmy-winning performance as Gertie Nevels, a pioneer woman and the mother of five from the Kentucky hills who is forced to uproot her children to follow her husband ... See full summary »
When school teacher Harriet Winslow goes to Mexico to teach, she is kidnapped by Gen. Tomas Arroyo and his revolutionaries. An aging American, Ambrose "Old Gringo" Bierce also in Mexico, ... See full summary »
A corporate raider threatens a hostile take-over of a "mom and pop" company. The patriarch of the company enlists the help of his wife's daughter, who is a lawyer, to try and protect the ... See full summary »
Penelope Ann Miller
When a dead newborn is found, wrapped in bloody sheets, in the bedroom wastebasket of a young novitiate, psychiatrist Martha Livingston is called in to determine if the seemingly innocent novice, who knows nothing of sex or birth, is competent enough to stand trial for the murder of the baby. While searching for the answer that her supervisors want, Dr. Livingston finds herself inevitably drawn into searching for the truth about the baby's conception and death. Despite the lack of cooperation that she receives from her own organization and the church itself, she eventually discovers more than she may have bargained for.Written by
Despite the fact that her character is a chain-smoker, in real life Jane Fonda had quit smoking ten years before she made this movie. For the role, she smoked reed cigarettes - non-toxic, tobacco-free cigarettes made from cattail reeds, which are sold in health stores to people who are trying to quit smoking. See more »
During the most profound scene where Agnes receives the stigmata, the audio boom is visible for at least five seconds. See more »
In the world of movies in the eighties, Agnes of God is a true wonder : an intelligent film that carries more than one idea AND has its funny moments, beautiful cinematography, incredible casting, the most intense dialogue and some heavy drama. Jane Fonda has never been better. She builds a sensitive, complex character who has to deal with much more than she was originally willing for (her childhood, her faith, her identity, her age, Anne Bancroft as a controlling, protective nun, Meg Tilly as a supposed murderess of her own baby, and also a nun). The three actresses play beautifully together, immersed in a magnificent wintery Canadian landscape. This is American cinema at its best.
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