Agnes of God (1985)

When a naive novice nun is discovered with a dead newborn in her convent quarters, a court-appointed psychiatrist investigates her case.

Director:

Norman Jewison

Writers:

John Pielmeier (screenplay), John Pielmeier (play)

Stars:

Jane Fonda, Anne Bancroft, Meg Tilly

Nominated for 3 Oscars. Another 1 win & 2 nominations.

Cast

Cast overview, first billed only:
Jane Fonda	...	Doctor Martha Livingston
Anne Bancroft	...	Mother Miriam Ruth
Meg Tilly	...	Sister Agnes
Anne Pitoniak	...	Dr. Livingston's Mother
Winston Rekert	...	Detective Langevin
Gratien Gélinas	...	Father Martineau
Guy Hoffmann	...	Justice Joseph Leveau (as Guy Hoffman)
Gabriel Arcand	...	Monsignor
Françoise Faucher	...	Eve LeClaire
Jacques Tourangeau	...	Eugène Lyon
Janine Fluet	...	Sister Marguerite
Deborah Grover	...	Sister Anne
Michele George	...	Sister Susanna
Samantha Langevin	...	Sister Jeannine
Jacqueline Blais	...	Sister David Marie

Storyline

When a dead newborn is found, wrapped in bloody sheets, in the bedroom wastebasket of a young novitiate, psychiatrist Martha Livingston is called in to determine if the seemingly innocent novice, who knows nothing of sex or birth, is competent enough to stand trial for the murder of the baby. While searching for the answer that her supervisors want, Dr. Livingston finds herself inevitably drawn into searching for the truth about the baby's conception and death. Despite the lack of cooperation that she receives from her own organization and the church itself, she eventually discovers more than she may have bargained for.

---

Plot Keywords:

watching tv | psychiatrist | novice | convent | trial | 

---

Taglines:

That night, murder wasn't the only sin.

---

Genres:

Drama | Mystery

---

Certificate:

PG-13

Details

Official Sites:

Sony Movie Channel [United States]

Country:

USA

Language:

English French Latin

Release Date:

27 September 1985 (USA)

Also Known As:

Agnes de Dios

Filming Locations:

Rockwood Academy - 477 Main Street South, Rockwood, Ontario, Canada

Box Office

Opening Weekend USA:

$220,642, 15 September 1985, Limited Release

Gross USA:

$25,627,836, 31 December 1985

Company Credits

Production Co:

Columbia Pictures Corporation, Delphi IV Productions

Technical Specs

Runtime:

98 min

Sound Mix:

Dolby

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The French name of the convent on the plaque affixed to the wall of the monastery was "Les Petites Soeurs de Marie Madeleine" which is translated into English in the film as "The Convent of Mary Magdalene". This religious facility and Father Martineau (Gratien Gélinas)'s residence in the film is actually portrayed by the historic Rockwood Academy on 477 Main Street South, Rockwood in the province of Ontario in Canada.

---

Goofs

During the most profound scene where Agnes receives the stigmata, the audio boom is visible for at least five seconds.

---

Quotes

Doctor Martha Livingston: Smoking is an obsession with me. Maybe someday I'll become obsessed with something else and give up smoking.

---

Connections

Featured in The Directors: The Films of Norman Jewison (1999)

User Reviews

An exercise in actorly tics...

Young nun in a convent, so enamored with her Savior that she seems to be in a lovestruck daze, may or may not have killed an infant. Anne Bancroft is the Mother Superior, Jane Fonda is the investigating psychiatrist (every movie should have one), and Meg Tilly is the enchanting yet frustrating nun whom nobody can budge with common sense. Adapted from the kind of stage-play that doesn't go over well in high schools, "Agnes of God" (terrible title!) is sort of the flip-side to "Rosemary's Baby", an unsettling, overwrought exercise for thespians to display their range. What's amazing is that these actresses carve out interesting characterizations within the hoked-up, hysterical scenario. They can't possibly believe these goings-on, but they give it conviction, particularly Fonda, sterling as usual. Bancroft shines in one particular scene, again hoked-up, where she sneaks a cigarette; it's a cliché, but it's the relief the picture needs. Tilly is aggravatingly bright and beguiling. By the third act, the film has pretty much self-destructed, yet there's not much satisfaction in the answers given to us. **1/2 from ****