Norman is a curmudgeon with an estranged relationship with his daughter Chelsea. At Golden Pond, he and his wife nevertheless agree to care for Billy, the son of Chelsea's new boyfriend, and a most unexpected relationship blooms.
Jane Fonda gives an Emmy-winning performance as Gertie Nevels, a pioneer woman and the mother of five from the Kentucky hills who is forced to uproot her children to follow her husband ... See full summary »
When school teacher Harriet Winslow goes to Mexico to teach, she is kidnapped by Gen. Tomas Arroyo and his revolutionaries. An aging American, Ambrose "Old Gringo" Bierce also in Mexico, ... See full summary »
Ella Connors is a single woman who gets pressured to sell her failing cattle farm to her corrupt ex suitor, Jacob Ewing. She asks for help from her neighbor, Frank Athearn. As Ella and ... See full summary »
Upper class Americans Noel and Meg Johnson have a twenty-six year old daughter named Clara Johnson. Clara suffered a head injury as a child which resulted in her being mentally disabled. ... See full summary »
Olivia de Havilland,
When a dead newborn is found, wrapped in bloody sheets, in the bedroom wastebasket of a young novitiate, psychiatrist Martha Livingston is called in to determine if the seemingly innocent novice, who knows nothing of sex or birth, is competent enough to stand trial for the murder of the baby. While searching for the answer that her supervisors want, Dr. Livingston finds herself inevitably drawn into searching for the truth about the baby's conception and death. Despite the lack of cooperation that she receives from her own organization and the church itself, she eventually discovers more than she may have bargained for.Written by
The French name of the convent on the plaque affixed to the wall of the monastery was "Les Petites Soeurs de Marie Madeleine" which is translated into English in the film as "The Convent of Mary Magdalene". This religious facility and Father Martineau (Gratien Gélinas)'s residence in the film is actually portrayed by the historic Rockwood Academy on 477 Main Street South, Rockwood in the province of Ontario in Canada. See more »
During the most profound scene where Agnes receives the stigmata, the audio boom is visible for at least five seconds. See more »
Young nun in a convent, so enamored with her Savior that she seems to be in a lovestruck daze, may or may not have killed an infant. Anne Bancroft is the Mother Superior, Jane Fonda is the investigating psychiatrist (every movie should have one), and Meg Tilly is the enchanting yet frustrating nun whom nobody can budge with common sense. Adapted from the kind of stage-play that doesn't go over well in high schools, "Agnes of God" (terrible title!) is sort of the flip-side to "Rosemary's Baby", an unsettling, overwrought exercise for thespians to display their range. What's amazing is that these actresses carve out interesting characterizations within the hoked-up, hysterical scenario. They can't possibly believe these goings-on, but they give it conviction, particularly Fonda, sterling as usual. Bancroft shines in one particular scene, again hoked-up, where she sneaks a cigarette; it's a cliché, but it's the relief the picture needs. Tilly is aggravatingly bright and beguiling. By the third act, the film has pretty much self-destructed, yet there's not much satisfaction in the answers given to us. **1/2 from ****
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