A company provides big game hunters with expeditions to the past to kill dinosaurs. They only have one rule that's there to protect the timeline: Never ever get off the beaten path. Violation of this...
Produced at the same time as the more well-known The Twilight Zone (1959), this series was an extension of the tradition of radio horror and supernatural dramas such as Light's Out, The ... See full summary »
A horror anthology about a family of monsters watching a different horror story every week on their TV. Each tale is separate, often cautionary with occasional dark humor and irony and features various deadly creatures.
Pamela Dean Kelly,
Michael J. Anderson
Anthology series hosted by Boris Karloff that originally told ordinary tales of crime and mystery, but later became a showcase for gothic horror stories, many of which were based on works ... See full summary »
A Canadian-produced anthology series scripted by famed science-fiction author Ray Bradbury. Many of the teleplays were based upon Bradbury's novels and short stories.Written by
Marty McKee <firstname.lastname@example.org>
Five episodes of the series were released on VHS in 1993 under the title RAY BRADBURY'S CHRONICLES: THE MARTIAN EPISODES. The episodes were: Mars Is Heaven, The Concrete Mixer, The Martian, And the Moon Be Still As Bright, and The Earthmen. The episodes, after a single shortened form of the RAY BRADBURY THEATER intro and the modified title, ran consecutively, each ending with individual episode credits. See more »
Ray Bradbury will doubtless be remembered as one of the 20th century's most brilliant writers. This series captures some of his best short stories, including some fairly obscure ones, quite well. In many episodes, Bradbury does a special introduction, giving the viewer a tidbit of background about the story, which is a nice touch.
If there is one major flaw in this show, it is the production values. The show was an independent production, shot on a modest budget for cable TV. The first few episodes were done for HBO and the remainder for USA Network. The visual effects are lackluster, even for the time in which it was produced, and many of the episodes seem a bit dated--not exactly modern but not quite vintage either. Still, Bradbury's amazing ability to spin a yarn comes through to save things. Had the show been based on material from a lesser writer, it would have been unwatchable.
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