British television soap opera following the everyday lives of working-class inhabitants of Albert Square, a traditional square of terrace houses in the fictional borough of Walford in East E... Read allBritish television soap opera following the everyday lives of working-class inhabitants of Albert Square, a traditional square of terrace houses in the fictional borough of Walford in East End of London, England.British television soap opera following the everyday lives of working-class inhabitants of Albert Square, a traditional square of terrace houses in the fictional borough of Walford in East End of London, England.
- Won 9 BAFTA Awards
- 285 wins & 366 nominations total
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I've watched and loved Eastenders for decades but my God am I hating the storylines more and more every year! It's become a boring unbearable depressive drag!
This stupid neverending Keanu saga will drag on all year no doubt, the alcoholic Linda, the looney Denise, the stuck up Suki and her backwards and forwards lesbian affair...where are the likes of Mitchells and good stories relating to them,...that family made the soap, nothing happens anymore! The slapper Stacy and her numerous kids and affairs...the perv Dean...where's Shirley by the way?! All the Linda's kids?? And did you lose a gem in Danny Dyer...him leaving killed it completely for me!
This stupid neverending Keanu saga will drag on all year no doubt, the alcoholic Linda, the looney Denise, the stuck up Suki and her backwards and forwards lesbian affair...where are the likes of Mitchells and good stories relating to them,...that family made the soap, nothing happens anymore! The slapper Stacy and her numerous kids and affairs...the perv Dean...where's Shirley by the way?! All the Linda's kids?? And did you lose a gem in Danny Dyer...him leaving killed it completely for me!
I've never been sure if soaps are supposed to simulate real-life. If they are meant for this purpose, that's got to be the biggest waste of time in history. Why simulate real-life? We can all admit that most of our lives are repetitive and dull, so why would anyone want to watch a simulation of that, played out by people who don't even exist?
Eastenders is unconvincing to the extreme. Nobody seems to own a computer, washing machine or car. People seem to buy shares in local businesses within a matter seconds, with someone owning "half the Arches" or "half the Vic". Sam walks around with "the books", which really are books! Most business managers have computers and accountants to do that for them. Those who run stalls on the market like to leave their livelihoods with friends, simply handing over their money pouches. They're the lucky ones - a lot of the cast don't have jobs at all so how they manage to survive in east London is beyond me.
The "gangsters" are so unrealistic it's hard to watch. The scripts are terrible, mainly down to watershed restrictions, so the writers cannot include most swear-words and are forced to use words like "moron", "idiot" and "wally" which don't really work on the same scale.
Strangely enough, soaps are the shows that are watched the most in the UK, and I don't understand this. Numerous soap magazines are on the shelves, and these tell us what's going to happen in the coming weeks, so nobody really needs to watch at all.
I don't understand the concept of soaps, why anyone feels the need to watch and why there are so many.
Eastenders is unconvincing to the extreme. Nobody seems to own a computer, washing machine or car. People seem to buy shares in local businesses within a matter seconds, with someone owning "half the Arches" or "half the Vic". Sam walks around with "the books", which really are books! Most business managers have computers and accountants to do that for them. Those who run stalls on the market like to leave their livelihoods with friends, simply handing over their money pouches. They're the lucky ones - a lot of the cast don't have jobs at all so how they manage to survive in east London is beyond me.
The "gangsters" are so unrealistic it's hard to watch. The scripts are terrible, mainly down to watershed restrictions, so the writers cannot include most swear-words and are forced to use words like "moron", "idiot" and "wally" which don't really work on the same scale.
Strangely enough, soaps are the shows that are watched the most in the UK, and I don't understand this. Numerous soap magazines are on the shelves, and these tell us what's going to happen in the coming weeks, so nobody really needs to watch at all.
I don't understand the concept of soaps, why anyone feels the need to watch and why there are so many.
It's a shame to see Phil Mitchell as the one last true great. Ian Beale is past it and we are missing true greats such as Pat and Grant
I'm an American who has watched "EastEnders" on and off on my local PBS station over the last 15 years. I find the show fascinating and it's not because the plots are particularly original or the acting is so amazing. It's not the "exotic" location either, I've been to London a couple of times. No, the reason I can't stop watching "EastEnders" is because it's the complete polar opposite of an American soap opera!
On an American soap opera, everyone is attractive or at least above-average looking. On EastEnders, (although they will occasionally throw in an attractive person to confuse you, I mean is Rosie's older daughter a super-model for that neighborhood or what?) everyone is pretty much average to below-average looking. There's one character who always looks like he's in desperate need of a blood transfusion and another who is quite simply the ugliest human being I've ever seen on scripted television.
On an AS, everyone is always fashionably dressed and impeccably groomed. I don't think you ever even see anyone in the same outfit twice. While watching EE, I sometimes wonder if the actors didn't do their own hair and makeup and bring clothes from home. On second thought, most of the actors would probably dress better than their characters.
On an AS, everyone has a glamorous and/or high-profile and/or high-paying and/or highly- respected career, e.g. doctor, model, cosmetics tycoon, writer, chief of police (even if they only appear to be about 20 years-old!), etc. On EE, the characters work in stalls at the street market, in pubs, cafés, garages, and laundromats. The most successful guy in the neighborhood is the guy who owns the café.
You really can't help but feel pretty good about yourself and your life after watching EE.
There are some other characters on EE that you typically wouldn't see on an AS, like a 14 year- old (who looks like a 12 year-old) girl with a baby and a man who seems to be in at least his mid-forties who can't read or write. One nice thing is that the writers don't seem to consider people over the age of 40 too old for romance. People in their 40s, 50s, 60s and older are depicted dating and even getting married. I've laughed out loud at a few hilarious moments involving horny seniors Pat, Patrick and Big Mo.
My favorite character is Dot Cotton/Brown, the church-lady type who gets some good lines. The actress who plays her is 88 years-old and it's pretty impressive that she's still working a grueling soap schedule and memorizing tons of dialogue.
Is EE a great show? No. Is it even a very good show? No. Will I keep watching? Well, yeah. We only get 2 episodes a week in the States (we're 10 years behind the UK, episode-wise), that's not enough to kill the novelty factor. I wouldn't watch "Days of Our Lives" but I'll watch "EastEnders" and feel like a successful super-model when the end-credits roll!
On an American soap opera, everyone is attractive or at least above-average looking. On EastEnders, (although they will occasionally throw in an attractive person to confuse you, I mean is Rosie's older daughter a super-model for that neighborhood or what?) everyone is pretty much average to below-average looking. There's one character who always looks like he's in desperate need of a blood transfusion and another who is quite simply the ugliest human being I've ever seen on scripted television.
On an AS, everyone is always fashionably dressed and impeccably groomed. I don't think you ever even see anyone in the same outfit twice. While watching EE, I sometimes wonder if the actors didn't do their own hair and makeup and bring clothes from home. On second thought, most of the actors would probably dress better than their characters.
On an AS, everyone has a glamorous and/or high-profile and/or high-paying and/or highly- respected career, e.g. doctor, model, cosmetics tycoon, writer, chief of police (even if they only appear to be about 20 years-old!), etc. On EE, the characters work in stalls at the street market, in pubs, cafés, garages, and laundromats. The most successful guy in the neighborhood is the guy who owns the café.
You really can't help but feel pretty good about yourself and your life after watching EE.
There are some other characters on EE that you typically wouldn't see on an AS, like a 14 year- old (who looks like a 12 year-old) girl with a baby and a man who seems to be in at least his mid-forties who can't read or write. One nice thing is that the writers don't seem to consider people over the age of 40 too old for romance. People in their 40s, 50s, 60s and older are depicted dating and even getting married. I've laughed out loud at a few hilarious moments involving horny seniors Pat, Patrick and Big Mo.
My favorite character is Dot Cotton/Brown, the church-lady type who gets some good lines. The actress who plays her is 88 years-old and it's pretty impressive that she's still working a grueling soap schedule and memorizing tons of dialogue.
Is EE a great show? No. Is it even a very good show? No. Will I keep watching? Well, yeah. We only get 2 episodes a week in the States (we're 10 years behind the UK, episode-wise), that's not enough to kill the novelty factor. I wouldn't watch "Days of Our Lives" but I'll watch "EastEnders" and feel like a successful super-model when the end-credits roll!
This engaging British series has been a favorite of mine since I was a girl. The families of this fictitious End London borough become familiar faces and names as the show follows generations of the characters thorough their lives. "EE" is more than a working-class soap opera---it's a genuine episodic drama, which is painfully rare here in the US. The storylines arc over months and years instead of days and weeks like American dramas are scheduled. Unlike many American "soap opera-type" series, the majority of episodes are penned by male scriptwriters. The action can be slow-building, but it is engaging. It takes a few viewings to understand who's who and what's what, but with all the websites devoted to this show, the details and characters can be sorted soon enough. Thanks to the advent of cable TV and the BBC America satellite channel, Americans can watch this cozy drama with only a slight lag behind their British counterparts. Grab your favorite ale and some fish and chips and try this show out.
Did you know
- TriviaDuring the affair storyline between Stacey Slater and Max Branning, Jo Joyner (who plays Max's wife Tanya) did not read any parts of the EastEnders scripts other than her own, as she felt her acting was improved by not knowing what Max did behind Tanya's back, and because she felt that she could better justify to herself why Tanya would not suspect Max of cheating if she in reality did not know what he was getting up to.
- GoofsThe birth dates and death dates of events often vary from the date of their broadcast. This is due to the episodes being set on different days.
- Crazy creditsFrom 1985-1993, the series titles was a black and white city with a bright blue river.
- Alternate versionsFootage of Ronnie mourning Roxy's death was filmed but not aired, this can be found online. Producers opted for both Ronnie & Roxy to die.
- ConnectionsEdited into Auntie's Bloomers: More Auntie's Bloomers (1992)
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