Tulkinghorn inquires into the death of Nemo, whose handwriting was recognized by Lady Dedlock. Later, Gumpy expresses his feelings for Esther, to her discomfort. Finally, the wheels of justice at the...
Esther meets Dr. Woodcourt, who plans to be a ship surgeon. Lady Dedlock visits Jo concerning Nemo and later meets the Jarndyce wards. Charley is hired by Jarndyce, who later learns of the plans of ...
Some very greedy and selfish relatives are all after the failing old Martin Chuzzlewit's money. He is surrounded by all these sycophantic relatives that he truly despises whilst ill, each ... See full summary »
Thomas Gradgrind, a wealthy, retired merchant in the industrial city of Coketown, England, devotes his life to a philosophy of rationalism, self-interest, and fact. He raises his oldest ... See full summary »
The series tells the story of Amy Dorrit, who spends her days earning money for the family and looking after her proud father, who is a long term inmate of Marshalsea debtors' prison in ... See full summary »
Set in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.
At the center of the story is Augustus Melmotte, a European-born city financier, whose origins are as mysterious as his business dealings. Trollope describes him as 'something in the city',... See full summary »
This and the 2005 version can be regarded as complimentary to each other, as each contains elements of the story not present in the other. In general, the 1985 version is strong on BLEAK, and the 2005 version is strong on characterizations. But there is so much more to the novel than even both versions together have given us. For example, the character in the book who is most central to the story is NOT Lady Dedlock, but Esther Summerson -- in the novel, much of the story is told by her in the first person, and it is her goodness, her wisdom, and her selflessness that set up the needed perspective to the victim vs. victimizer nature of many of the other characters. But really, the problem is that the book is on such a vast scale, that watching either version is like listening to a 15-minute version of a Bruckner symphony. Ideally, some day someone will just go ahead and take the entire novel as it is and use it as the screenplay.
11 of 12 people found this review helpful.
Was this review helpful to you?
| Report this