Sir Alfred De Carter suspects his wife of infidelity. While conducting a symphony orchestra, he imagines three different ways of dealing with the situation. When the concert ends, he tries ... See full summary »
Arthur is a happy drunk with no pretensions at any ambition. He is also the heir to a vast fortune which he is told will only be his if he marries Susan. He does not love Susan, but she ... See full summary »
During a high profile Mafia testimony case in California's Riverside County, a hired killer checks-in a hotel room near the courthouse while his next door depressed neighbor wants to commit suicide due to marital problems.
Claude Eastman, is a composer and conductor. He is married to Daniella, who is half his age. While away on a trip he told his Italian driver, Giuseppe, to tell his friend Norman to keep an eye on her, or take care of her. But his english is not too good, so Norman thought he was saying that Claude wanted him to hire a private eye to keep tabs on her. Which he did. Claude tells him that it's ok but the man Norman hired gives him his report and it says something happened while he was away. Claude, of course, tells him to throw it away but after Norman leaves, Claude tries to retrieve it and tries to read it but Daniella's there, when Giuseppe destoys it, he goes to the man Norman hired to get a copy. He tells Claude that a man went into his apartment while he was away and left at an unusual hour, and that he also has a video. Claude tells him to destroy it but shortly after leaving returns so that he can watch it. Now the video's a little fuzzy but clearly he can see that the man wears ... Written by
'Halliwells' stated that the film was a "modernized and simplified version of . . . Unfaithfully Yours (1948) . . . with only one plot instead of three", whilst similarly, 'Allmovie' declared that "the plot is simpler and more straightforward than the original version [of Unfaithfully Yours (1948)], in which the conductor harbored three separate elaborate fantasies". See more »
I suppose remakes are rarely eligible for best picture nominations, but the story and the way this film presents it is wonderful. Jealousy and mistaken identity make a great plot. I'm sure it is much more enjoyable than any other 1984 film nominated for best picture. I admit I have not seen the 1948 original and perhaps if it comes on cable/satellite TV I will. I would like to know if the same music is used. The music, Tchaikovsky's "Violin Concerto, 1st Movement", what a fine and difficult symphony. Then there is the dueling violins scene using Vittorio Monti's "Czardas," excellent passionate music for the passion Dudley Moore's character feels about his wife played by Natassia Kinski. Dudley Moore and Armande Asante make as good a team as Richard Pryor and Gene Wilder, but without the foul language. This movie is clean and has substance.
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