In the late nineteenth century Paris, Briton Charles Swann, a man of wealth and culture, runs among the social set. That life is threatened when he falls in love with Odette de Crécy, a ...
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In the late nineteenth century Paris, Briton Charles Swann, a man of wealth and culture, runs among the social set. That life is threatened when he falls in love with Odette de Crécy, a courtesan, that love all consuming in that he thinks about how he can be with her when they aren't together. He also despises himself for loving her to the extent he does in knowing that if that love is ever destroyed, he won't be able to survive the emotional pain. He is also made quite aware that if he does marry Odette, whose services he pays for while he allows her to continue with her life, he will lose his social position as most will not be able to welcome her into their house. The wealthy Verudins may be the exceptions as they are considered vulgar and gauche despite their wealth, they who have their own choice for Odette, a man named de Forcheville. The other other exception is Charles' old friend, the Baron de Charlus, who introduced the two to each other. The Baron's support for Charles ...Written by
Show-business trade paper 'Variety' said of this film that "scripters do a cut and paste job on the text, lifting, transposing and dovetailing episodes and dialog from all over the [source] novel and concentrating them into a single 24-hour period". See more »
I used to think she was ugly! Then like a fool I fell in love with her and it's like a disease!
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I enjoyed this film very much. I don't know how the film works as a literary adaptation but, judging it purely as a film on its own terms, it works well as a study in sexual obsession and jealousy. Irons is perfectly cast as the fixated aristocrat but the post-dubbing, whilst seamlessly executed, is a little off-putting as it clearly isn't Irons' own voice (despite what some IMDb posters seem to believe). Irons expertly portrays Swann's social aloofness and the way in which his obsession takes over his sense of reasoning. The film is exquisite to look at (as you would expect from a film with Nykvist as the cinematographer) and Delon gives a scene-stealing performance as Swann's camp best friend. Worth watching.
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