From the Pullizer Prize winning play by Paul Zindel, this is the story of Beatrice Hunsdorfer and her daughters, Ruth and Matilda. A middle-aged widowed eccentric, Beatrice is looking for ... See full summary »
Pitch black comedy about a young nihilistic New Yorker coping with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia and ethnic-racial conflict during a typical summer of the 1970s.
The Queen of the Night offers her daughter Pamina to Tamino, but he has to bring her back from her father and priest Sarastro. She gives a magic flute to Tamino and magic bells to the bird ... See full summary »
2 Members of the San Francisco Board of Supervisors Harvey Milk & San Francisco Mayor, 'George Moscone (I)' were assassinated by recently resigned Supervisor Dan White on Monday, November 27th, 1978, approximately 8:45 AM to 9:15 AM. Milk's life leading up to his election, his successful efforts to politically represent San Francisco's gay community, and the city's reaction to the assassinations are documented with extensive news film and personal recollections.Written by
Ed Stephan <email@example.com>
The film opens with acting mayor Dianne Feinstein breaking the news to the assembled press outside City Hall that mayor George Moscone and Harvey Milk had both been shot and killed by city supervisor Dan White. Gus Van Sant opens his biopic Milk (2008) with the exact same footage. See more »
When describing Harvey Milk's murder, the narrator states that White killed Milk in Milk's own office, but in reality, White asked Milk to come into White's former office, closed the door, blocked it with his body, and shot Milk there. See more »
As president of the board of supervisors, it's my duty to make this announcement. Both Mayor Moscone and Supervisor Harvey Milk have been shot and killed. The suspect is Supervisor Dan White.
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Vibrant, electric observation of LGBT political coming of age.
This is a very important film, documenting the coming-of-age of LGBT involvement in the political process. Made just a few years after the Milk/ Moscone assassinations, it expertly captures the mood of a community, pre-AIDS, poised to assume political power.
The climax of the film is the peaceful, strangely silent, candle-lit march up Market Street from the Castro, the center of San Francisco's gay male community. The gay community's response to horrific violence is shock and love. When I show this film to young (mostly heterosexual) student audiences, there is always a collective gasp as they see the throngs of silent marchers.
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