In 1938, after his father Professor Henry Jones, Sr. goes missing while pursuing the Holy Grail, Professor Henry "Indiana" Jones, Jr. finds himself up against Adolf Hitler's Nazis again to stop them from obtaining its powers.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After a daring mission to rescue Han Solo from Jabba the Hutt, the Rebels dispatch to Endor to destroy the second Death Star. Meanwhile, Luke struggles to help Darth Vader back from the dark side without falling into the Emperor's trap.
Sent back from a dystopian 2029--where the cold machines have conquered the entire world--to 1984 Los Angeles, the indestructible cyborg-assassin known as the "Terminator" commences his deadly mission to kill humankind's most important woman: the unsuspecting, Sarah Connor. However, from the same war-torn post-apocalyptic future comes a battle-scarred defender--Kyle Reese, a brave soldier of the human Resistance Army--bent on stopping the cybernetic killer from eliminating the world's last hope. But, the Terminator has no feelings, he doesn't sleep, and above all, he won't stop until he carries out his grim task. Does our future lie in our past?Written by
The screenplay is officially credited to James Cameron and Gale Anne Hurd, with additional dialogue by William Wisher. In reality, Cameron and Wisher were the main contributors: Wisher did the dialogue for the early Sarah Connor scenes and the police station sequences, while Cameron focused on the rest. They would update each other daily on their progress over the phone. Hurd's role was mainly in editing the script; she had put her name onto it so that it would make an easier sales pitch, but she ended up getting a full writing credit for this film and several other Terminator-related projects as a result, despite not doing any actual writing. Cameron said that he was somewhat disappointed that Hurd never set the record straight, but what annoyed him even more was that people automatically assumed that making a woman the central character was Hurd's idea, while it was in fact his. See more »
(at around 33 mins) In the TechNoir scene, when Sarah Connor sits down, there is no Canada Dry drink in hand. Seconds later, during the same "You've got me Burning" song that is playing in the disco, the bottle is in hand. See more »
[the garbage truck's engine stops]
What the hell? Goddamn son of a bitch...
See more »
The opening credits run while large outlines of the two halves of THE TERMINATOR cross each other. After the last directorial credit is shown, the title THE TERMINATOR zooms backward, is filled by metallic blue, and reveals itself. See more »
In the Swedish theatrical version, the shot of The T800's eye actually falling out and into the sink has been cut. See more »
You Can't Do That
Performed by Tryanglz
Written by Ricky Phillips
Published by Ricky Lynn Phillips Music (BMI) See more »
Nice night for a walk.
Is there a better person to play a cyborg than Arnold? For this movie he was a massively built oak tree of a man. His strange accent makes for a perfect callous robotic sounding killing machine. It's almost like his voice is a computer read out ( which I guess it is in one sense ). Terminator is one of those films that started something huge. People didn't realize it at the time, but the careers of Arnold, Cameron and perhaps even guys like Micahel Biehn, Lance Henriksen and even Bill Paxton were substantially started because of this film. And Cameron must have liked working with them so much that he gave all of them substantial roles in his next film ( Aliens ).
As we all know what the story is, I'll just tell you a bit about what is so fascinating about it. First I have to mention Michael Biehn. He has the real starring role. He is the character that has to explain everything to the audience. He has to explain this complicated story so that we know what is happening and why. It is not an easy job to do something like that and still come off looking all right. But Biehn is simply awesome in this film. A microcosm of his performance can be seen when Sara bites him. Biehn ( Kyle Reese ) replies " Terminator's don't feel pain. I do. Don't do that again. " That is such a great line delivered with the perfect expression, the perfect tone and the perfect timing. Biehn is perfect for the role.
This is also the first film that I saw as a youngster that ever warned me of the dangers of nuclear war and of the rapid advancements of machinery. Perhaps I was too young and naive to fully understand all that James Cameron was trying to say, but now that I am older, I can honestly say that the two Terminators are perfect anti nuke films. And they are so passionate with what they have to say. I like it when a film has something to say. I enjoy being entertained in the process but if you can manage both then you have a masterpiece. This is a masterpiece.
Finally. there are two other reasons to enjoy this film. One, this is the first film where "I'll be back" was spoken. Now it is part of Arnolds vernacular. Secondly, Bill Paxton is in it. And he adds spark to any film that he's in. Especially here, as the idiot punk leader that really gets the hell beat out of him, he has some great lines.
A great film.
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