A human soldier is sent from 2029 to 1984 to stop an almost indestructible cyborg killing machine, sent from the same year, which has been programmed to execute a young woman whose unborn son is the key to humanity's future salvation.
Sent back from a dystopian 2029--where the cold machines have conquered the entire world--to 1984 Los Angeles, the indestructible cyborg-assassin known as the "Terminator" commences his deadly mission to kill humankind's most important woman: the unsuspecting, Sarah Connor. However, from the same war-torn post-apocalyptic future comes a battle-scarred defender--Kyle Reese, a brave soldier of the human Resistance Army--bent on stopping the cybernetic killer from eliminating the world's last hope. But, the Terminator has no feelings, he doesn't sleep, and above all, he won't stop until he carries out his grim task. Does our future lie in our past?Written by
Nick Riganas
Sarah Connor's apartment was filmed only ¼ mile (500 meters) from the location for Car Wash (1976). See filming locations for both movies. See more »
Goofs
(at around 1h 35 mins) The face of Michael Biehn's stunt double is clearly visible for an extremely brief moment (noticeable only by using super-slow motion) at the end when the endo-skeleton is smacking Reese around. He is seen, for an instant, right before the Terminator knocks the steel bar out of his hands. It is not known who the stunt double is. See more »
Quotes
[first lines]
[the garbage truck's engine stops]
Truck Driver:
What the hell? Goddamn son of a bitch...
See more »
Crazy Credits
The opening credits run while large outlines of the two halves of THE TERMINATOR cross each other. After the last directorial credit is shown, the title THE TERMINATOR zooms backward, is filled by metallic blue, and reveals itself. See more »
Alternate Versions
On the Region 6 Chinese DVD from Excel Media, the sex scene between Sarah and Kyle is completely cut. See more »
For the gift of `Aliens' and `The Terminator' I am willing to forgive Cameron's `Titanic'. The key plot concept is beautifully simple - machines take over the earth in the future. Machines are eventually over thrown by one man. Machines travel back in time to kill man's mother, thus preventing him being born and stopping their own defeat. One human also travels back to stop the machines from killing his leader's mother.
`The Terminator' is a classic good versus evil struggle, with little in the way of greys clouding the issue. The terminator is an unstoppable brutal remorseless killer, and it perfectly suits Arnold Schwarzenegger's limited acting abilities. His few lines, including the infamous `I'll be back' are all well judged and timed, and give a great feeling of precision and inhumanity to his character. Coupled with his chiselled features, he's the best choice for the role. Michael Biehn is playing a character type that he'd reprise two years later in Cameron's `Aliens' - the human tough guy: he's got the fight, but still the ability to love and care for people. His features are well chosen for this and although his delivery of lines is hardly exceptional - they tend to come out in the same tone of voice - he's able to carry his part. Linda Hamilton is the woman-thrown-into-chaos, somewhat reminiscent of Sigourney Weaver's Ripley character in `Alien', although Hamilton doesn't have Weaver's strength of presence. All the actors are, for an action science fiction, above average and so never distract.
It's the script, with Cameron's force behind it that lifts the movie from mediocrity. Yes, there's a certain amount of corniness - the `we loved a life time' element for example - but the movie has a real sense of conviction present. The movie believes in itself and, through its passion, will make you believe too. There's a general sense of darkness in the movie - rarely do we see daylight, and, when we do, it's often the soft light of dawn. There's a nice sense of tension in the action scenes, helped not only by Cameron's camera work but also by an excellent electronic score (including a fantastic brooding credit sequence). Sure some of the SFX look clunky in these days of `Attack of the Clones' and `The Fellowship of the Ring', but they still work. There's a certain sense of inevitability, intertwined with hope, permeating the picture that creates a mood I particularly enjoyed and that's harder to find in the current crop of science fiction movies.
`The Terminator' is not a perfect picture. The movie lags in some parts, and the romance element is fairly contrived. Despite all that the movie brims with energy and promise, a script that mostly delivers, characters you can enjoy, and the ultimate Arnie role. Well worth catching. 8/10.
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For the gift of `Aliens' and `The Terminator' I am willing to forgive Cameron's `Titanic'. The key plot concept is beautifully simple - machines take over the earth in the future. Machines are eventually over thrown by one man. Machines travel back in time to kill man's mother, thus preventing him being born and stopping their own defeat. One human also travels back to stop the machines from killing his leader's mother.
`The Terminator' is a classic good versus evil struggle, with little in the way of greys clouding the issue. The terminator is an unstoppable brutal remorseless killer, and it perfectly suits Arnold Schwarzenegger's limited acting abilities. His few lines, including the infamous `I'll be back' are all well judged and timed, and give a great feeling of precision and inhumanity to his character. Coupled with his chiselled features, he's the best choice for the role. Michael Biehn is playing a character type that he'd reprise two years later in Cameron's `Aliens' - the human tough guy: he's got the fight, but still the ability to love and care for people. His features are well chosen for this and although his delivery of lines is hardly exceptional - they tend to come out in the same tone of voice - he's able to carry his part. Linda Hamilton is the woman-thrown-into-chaos, somewhat reminiscent of Sigourney Weaver's Ripley character in `Alien', although Hamilton doesn't have Weaver's strength of presence. All the actors are, for an action science fiction, above average and so never distract.
It's the script, with Cameron's force behind it that lifts the movie from mediocrity. Yes, there's a certain amount of corniness - the `we loved a life time' element for example - but the movie has a real sense of conviction present. The movie believes in itself and, through its passion, will make you believe too. There's a general sense of darkness in the movie - rarely do we see daylight, and, when we do, it's often the soft light of dawn. There's a nice sense of tension in the action scenes, helped not only by Cameron's camera work but also by an excellent electronic score (including a fantastic brooding credit sequence). Sure some of the SFX look clunky in these days of `Attack of the Clones' and `The Fellowship of the Ring', but they still work. There's a certain sense of inevitability, intertwined with hope, permeating the picture that creates a mood I particularly enjoyed and that's harder to find in the current crop of science fiction movies.
`The Terminator' is not a perfect picture. The movie lags in some parts, and the romance element is fairly contrived. Despite all that the movie brims with energy and promise, a script that mostly delivers, characters you can enjoy, and the ultimate Arnie role. Well worth catching. 8/10.