A seemingly indestructible Android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all cost
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John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
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When Dr. Henry Jones, Sr. suddenly goes missing while pursuing the Holy Grail, eminent archaeologist Dr. Henry "Indiana" Jones, Jr. must follow in his father's footsteps to stop the Nazis from getting their hands on the Holy Grail first.
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A cyborg is sent from the future on a deadly mission. He has to kill Sarah Connor, a young woman whose life will have a great significance in years to come. Sarah has only one protector - Kyle Reese - also sent from the future. The Terminator uses his exceptional intelligence and strength to find Sarah, but is there any way to stop the seemingly indestructible cyborg ?Written by
Colin Tinto <firstname.lastname@example.org>
The teaser trailer for this film was narrated by Peter Cullen, best known to fans as the voice of the robotic hero Optimus Prime from Transformers. See more »
As the tanker truck is pursuing Sarah near the end of the film, the parked car that the truck smashes is already badly damaged from a previous take. See more »
[the garbage truck's engine stops]
What the hell? Goddamn son of a bitch...
See more »
The opening credits run while large outlines of the two halves of THE TERMINATOR cross each other. After the last directorial credit is shown, the title THE TERMINATOR zooms backward, is filled by metallic blue, and reveals itself. See more »
I just saw a horrifying, touching, very good movie again; it's The Terminator. Now to talk of it as great film, to compare it with American Beauty might seem idiotic--it's an almost unrelentingly dark, violent, frightening action movie, after all--but strip away the relentless action, strip away the technophobia, strip away the blatant dislike of cops and modern youth, strip away the poignant love story and, at its core, it's about an immature, essentially mindless girl becoming a strong, determined woman. That's a theme more movies should have if we want girls to have strong role models.
In the course of a few hours during which Sarah Connor realises that she is running for her life from a soul-less machine in human flesh that is implacably and violently determined to kill her, she transforms from a girl who can't balance her cheque book to a woman who can order a wounded, beaten man to "get on your feet, soldier." She is clear-headed, not panicky, focused in crisis and incredibly courageous. And it's not that she has lost her essential femaleness but that she's grown up.
It's relentless, heartless violence appals and fascinates me. It's gritty depiction of our society as a prelude to an even more horrific one in 2023 darkens my heart. It's quickly developing love story touches me. Its humor makes the dark places in me smile. But most of all I am touched and fascinated by Sarah's precipitous transformation. As a good life exercise, ask yourself this: Would you have the courage to do what she does?
9.5 out of 10.
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