A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Vader back from the dark side without falling into the Emperor's trap.
In 1935, Indiana Jones arrives in India, still part of the British Empire, and is asked to find a mystical stone. He then stumbles upon a secret cult committing enslavement and human sacrifices in the catacombs of an ancient palace.
Jonathan Ke Quan
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
A cyborg is sent from the future on a deadly mission. He has to kill Sarah Connor, a young woman whose life will have a great significance in years to come. Sarah has only one protector - Kyle Reese - also sent from the future. The Terminator uses his exceptional intelligence and strength to find Sarah, but is there any way to stop the seemingly indestructible cyborg ?Written by
Colin Tinto <firstname.lastname@example.org>
In the Year of Darkness, 2029, the rulers of this planet devised the ultimate plan. They would reshape the Future by changing the Past. The plan required something that felt no pity. No pain. No fear. Something unstoppable. They created 'THE TERMINATOR' See more »
(at around 40 mins) The Terminator would be considered an android, not a cyborg. A cyborg is a technologically enhanced living organism whereas an android is a robot with a human appearance. See more »
[the garbage truck's engine stops]
What the hell? Goddamn son of a bitch...
See more »
The opening credits run while large outlines of the two halves of THE TERMINATOR cross each other. After the last directorial credit is shown, the title THE TERMINATOR zooms backward, is filled by metallic blue, and reveals itself. See more »
There are significant differences between the first video releases (Thorn/EMI and HBO Video) and the 1991 Hemdale release in relation to picture, sound and end credits. The Thorn/EMI release has:
A blurry picture throughout
The entire film soundtrack played at the wrong pitch, which sounds like it was recorded on a cassette tape.
The Post Production and credit to Harlen Elison is inserted right above the copyright date and timed to roll along at the speed of the credits.
The HBO Video release has the same blurry picture and high pitch soundtrack with the following changes:
The post production credit rolls as soon as the movie fades to black. After disappearing, a black, cheaply done title card done with "1980s HBO Font" shows the Harlen Elison credit. The previous timed credit that appeared in the Thorn/EMI release has been blacked out and timed to run with the credits. The 1991 Hemdale release has the following:
Soundtrack restored to play at the correct pitch
Picture is sharp and clear. The 1991 Hemdale and the Artisan Entertainment release are identical.
I just saw a horrifying, touching, very good movie again; it's The Terminator. Now to talk of it as great film, to compare it with American Beauty might seem idiotic--it's an almost unrelentingly dark, violent, frightening action movie, after all--but strip away the relentless action, strip away the technophobia, strip away the blatant dislike of cops and modern youth, strip away the poignant love story and, at its core, it's about an immature, essentially mindless girl becoming a strong, determined woman. That's a theme more movies should have if we want girls to have strong role models.
In the course of a few hours during which Sarah Connor realises that she is running for her life from a soul-less machine in human flesh that is implacably and violently determined to kill her, she transforms from a girl who can't balance her cheque book to a woman who can order a wounded, beaten man to "get on your feet, soldier." She is clear-headed, not panicky, focused in crisis and incredibly courageous. And it's not that she has lost her essential femaleness but that she's grown up.
It's relentless, heartless violence appals and fascinates me. It's gritty depiction of our society as a prelude to an even more horrific one in 2023 darkens my heart. It's quickly developing love story touches me. Its humor makes the dark places in me smile. But most of all I am touched and fascinated by Sarah's precipitous transformation. As a good life exercise, ask yourself this: Would you have the courage to do what she does?
9.5 out of 10.
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