A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
In 1935, Indiana Jones arrives in India, still part of the British Empire, and is asked to find a mystical stone. He then stumbles upon a secret cult committing enslavement and human sacrifices in the catacombs of an ancient palace.
Jonathan Ke Quan
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Darth Vader back from the dark side without falling into the Emperor's trap.
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
A cyborg is sent from the future on a deadly mission. He has to kill Sarah Connor, a young woman whose life will have a great significance in years to come. Sarah has only one protector - Kyle Reese - also sent from the future. The Terminator uses his exceptional intelligence and strength to find Sarah, but is there any way to stop the seemingly indestructible cyborg ?Written by
Colin Tinto <email@example.com>
In the Year of Darkness, 2029, the rulers of this planet devised the ultimate plan. They would reshape the Future by changing the Past. The plan required something that felt no pity. No pain. No fear. Something unstoppable. They created 'THE TERMINATOR' See more »
The whole Cyberdyne plot from the sequel was meant to be in this film, but was cut due to budget reasons. See more »
(at around 59 mins) Just before the car crashes into the police station, the officer at the desk is alerted to the car by the headlights flashing in his face, yet when we cut to the car, the lights are off. See more »
[the garbage truck's engine stops]
What the hell? Goddamn son of a bitch...
See more »
The opening credits run while large outlines of the two halves of THE TERMINATOR cross each other. After the last directorial credit is shown, the title THE TERMINATOR zooms backward, is filled by metallic blue, and reveals itself. See more »
When aired on USA and SCI-FI, the following alterations were made: when both Terminator and Reese arrive from the future, the supposed dirty mumblings of the witnesses (a garbage truck driver and a bum) have been edited. When the Terminator visits the first wrong Sarah, his original scene of him shooting her six times is changed to one shot with the BANG cut out. The scenes where Kyle hotwires the cars is edited, as is the scene of Sarah waitressing in the restaurant and a kid drops a spoonful of ice cream in her apron. See more »
For the gift of `Aliens' and `The Terminator' I am willing to forgive Cameron's `Titanic'. The key plot concept is beautifully simple - machines take over the earth in the future. Machines are eventually over thrown by one man. Machines travel back in time to kill man's mother, thus preventing him being born and stopping their own defeat. One human also travels back to stop the machines from killing his leader's mother.
`The Terminator' is a classic good versus evil struggle, with little in the way of greys clouding the issue. The terminator is an unstoppable brutal remorseless killer, and it perfectly suits Arnold Schwarzenegger's limited acting abilities. His few lines, including the infamous `I'll be back' are all well judged and timed, and give a great feeling of precision and inhumanity to his character. Coupled with his chiselled features, he's the best choice for the role. Michael Biehn is playing a character type that he'd reprise two years later in Cameron's `Aliens' - the human tough guy: he's got the fight, but still the ability to love and care for people. His features are well chosen for this and although his delivery of lines is hardly exceptional - they tend to come out in the same tone of voice - he's able to carry his part. Linda Hamilton is the woman-thrown-into-chaos, somewhat reminiscent of Sigourney Weaver's Ripley character in `Alien', although Hamilton doesn't have Weaver's strength of presence. All the actors are, for an action science fiction, above average and so never distract.
It's the script, with Cameron's force behind it that lifts the movie from mediocrity. Yes, there's a certain amount of corniness - the `we loved a life time' element for example - but the movie has a real sense of conviction present. The movie believes in itself and, through its passion, will make you believe too. There's a general sense of darkness in the movie - rarely do we see daylight, and, when we do, it's often the soft light of dawn. There's a nice sense of tension in the action scenes, helped not only by Cameron's camera work but also by an excellent electronic score (including a fantastic brooding credit sequence). Sure some of the SFX look clunky in these days of `Attack of the Clones' and `The Fellowship of the Ring', but they still work. There's a certain sense of inevitability, intertwined with hope, permeating the picture that creates a mood I particularly enjoyed and that's harder to find in the current crop of science fiction movies.
`The Terminator' is not a perfect picture. The movie lags in some parts, and the romance element is fairly contrived. Despite all that the movie brims with energy and promise, a script that mostly delivers, characters you can enjoy, and the ultimate Arnie role. Well worth catching. 8/10.
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