A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
A cyborg is sent from the future on a deadly mission. He has to kill Sarah Connor, a young woman whose life will have a great significance in years to come. Sarah has only one protector - Kyle Reese - also sent from the future. The Terminator uses his exceptional intelligence and strength to find Sarah, but is there any way to stop the seemingly indestructible cyborg ?Written by
Colin Tinto <firstname.lastname@example.org>
Although stereophonic sound existed in 1984, The Terminator (1984) was filmed in monophonic. This was because during the production, the budget was too low to allow the filmmakers to get all the effects they wanted and still allow for the film to be shot in stereo. Although a stereo remix was produced later for the Hemdale VHS release, it was not until MGM acquired the rights to the film that a fully recognizable 5.1 stereo soundtrack was created, for the 2001 Special Edition DVD. See more »
The black pickup truck that Sarah rolls onto its roof appears soon after undamaged. See more »
[the garbage truck's engine stops]
What the hell? Goddamn son of a bitch...
See more »
The opening credits run while large outlines of the two halves of THE TERMINATOR cross each other. After the last directorial credit is shown, the title THE TERMINATOR zooms backward, is filled by metallic blue, and reveals itself. See more »
The Terminator has heart. Cameron might be well advised,less is more.
Many people look back at the films of James Cameron and suggest that the smaller, the budget, the tighter the limitations, the better the end product. Films like Avatar, Titanic and True Lies had huge budgets and drew in even bigger box office but many still yearn for the Cameron that gave us The Terminator and Aliens which were huge movies but packed a far bigger punch artistically. My feelings all these years on are that Cameron has earned the right to make those huge movies but i have to admit to preferring his earlier body of work. The Terminator is a nightmarish, time travelling science fiction film told at a breakneck pace and delivered with confidence and style. The film has a very gritty, underground look to it and does a great job of telling its story amid the frenetic action. There is also a huge slice of horror and suspense thrown in, an impression that has diminished in the years since it's release due to inferior sequels. Viewed as a standalone piece however, The Terminator is fine piece of work from a director with a very clear vision.Everyone knows that The Terminator is the film that gave us Arnold Schwarzenegger but when i look back at the film, it has heart and its the Michael Biehn character, Kyle Reese, that provides it Artistically speaking,Cameron might be well advised that less is more.
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