Winter, 1944. Lucía at 21 returns to her small village in the mountains. She again meets Manuel, a young iron-smith who helps "those in the mountain", the "maquis", the anti-Franco ... See full summary »
Juan Diego Botto,
Javi and his friend Carlos snoop around an old house on the way home from school. According to his brother Juan this is a haunted house and one can hear the voices of the dead. Later he is ... See full summary »
Carlos is a young student, just 21. Nice or annoying as he likes, enjoys provoking and transgreding. In the night he goes out to meet his friends in the Kronen, a bar. Every situation can ... See full summary »
Bent on committing as many sins as possible to avert the birth of the beast, a Catholic priest teams up with a Black Metal aficionado and an Italian connoisseur of the occult. Now, he must become an unrelenting sinner. Is there still hope?
Álex de la Iglesia
Armando De Razza,
Private detective Germán Areta gets a terminally ill client who wishes to see his long lost, runaway daughter before he dies. But when Areta starts looking into case, it leads him to the ... See full summary »
José Luis Garci
In a small spanish town, a group of old ladies decide to celebrate Christmas Eve with a "Sit a poor man at your table" dinner: each wealthy household of the town will have a homeless person... See full summary »
Luis García Berlanga
José Luis López Vázquez,
Wonderful, simple story of a young lad growing up in his rural surroundings, more or less in the line of `El Sur', Erice's little masterpiece produced just two years earlier. Armendáriz achieves an intense and intimate portrait of Tasio and the people around him without any over-dramatization, using simple but effective dialogue, careful characterization, and of course the brilliant photography. Tasio learns to eke out a living making coal, really charcoal-making for domestic use. Wood is piled up into a great heap, maybe three or four metres high and up to eight metres diameter, and set alight in the inside so that it burns very slowly. The `carbonero' - Tasio - must attend this smouldering heap by climbing up on it and poking and prodding holes deep into it so that there is a minimum of ventilation. You can still find some examples of this old craft in rural parts of Spain even today.
At times the dialogue may be a little difficult because of marked regionalistic accents; although Spanish-speaking, the profound Basque influence is highly evident. The film in fact was made just outside the Basque Country (Euskadi), in the extreme west of Navarra (Navarre) around the villages of Aranarache, Eulate, Urra, Baquedano and Zudaire, villages forming the area known as Améscoa; indeed you can often see parts of the beautiful Sierra de Urbasa, its heavily wooded slopes with clear little rivers. An absolute must for those who love good walks... just 40 minutes by car from where I am now. This is not an action film: it is a beautiful portrait of rural people living rural lives with just that touch of tragedy present in these Spanish films looking back at the 50s and 60s, similar to films like `Las Ratas', `El Abuelo' and `La Lengua de las Mariposas'.
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