Swing Shift (1984)

A woman finds romance when she takes a job at an aircraft plant to help make ends meet after her husband goes off to war.

Director:

Jonathan Demme

Writer:

Nancy Dowd (as Rob Morton)

Stars:

Goldie Hawn, Kurt Russell, Christine Lahti

Nominated for 1 Oscar. Another 1 win & 2 nominations.

Cast

Cast overview, first billed only:
Goldie Hawn	...	Kay Walsh
Kurt Russell	...	Lucky Lockhart
Christine Lahti	...	Hazel Zanussi
Fred Ward	...	Biscuits Toohey
Ed Harris	...	Jack Walsh
Sudie Bond	...	Annie
Holly Hunter	...	Jeannie Sherman
Patty Maloney	...	Laverne
Lisa Pelikan	...	Violet Mulligan
Susan Peretz	...	Edith Castle
Joey Aresco	...	Johnny Bonnaro
Morris 'Tex' Biggs	...	Clarence
Reid Cruickshanks	...	Spike
Danny Darst	...	Deacon (as Daniel Dean Darst)
Dennis Fimple	...	Rupert George

Storyline

Jack and Kay Walsh are typical of many couples of the 1940s, where he is the breadwinner and she the housewife dependent upon him to do the man's duties around the house. Jack believes one of their neighbors in the housing complex in which they live in Los Angeles is white trash - he letting her know so at every opportunity, while Kay is quietly curious about her. That neighbor is streetwise Hazel Zanussi, an aspiring singer who does get a chance to sing on occasion at the club managed by her casual boyfriend, Biscuits Toohey, although he relegates her to being one of the taxi dancers more often against her wants, while he cheats on her behind her back despite truly having feelings for her. Hazel just wants to make an honest living. Their worlds are turned upside down on December 7, 1941 when the US enters WWII with the Japanese bombing of Pearl Harbor. Jack immediately enlists in the Navy, and while he will send money home, his decision leaves Kay largely to fend for herself. Against...

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Plot Keywords:

lifting up dress | 1940s | panties | blonde | year 1941 | 

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Taglines:

When America marched off to war the women marched into the factory. From then on...nothing was the same.

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Genres:

Drama | Romance | War

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Certificate:

PG

Details

Country:

USA

Language:

English

Release Date:

13 April 1984 (USA)

Also Known As:

Tjejen som jobbade skift

Filming Locations:

Santa Monica, California, USA

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$2,270,136, 15 April 1984

Gross USA:

$6,650,206

Cumulative Worldwide Gross:

$6,650,206

Company Credits

Production Co:

Warner Bros., Lantana, Hawn / Sylbert Movie Company

Technical Specs

Runtime:

100 min

Sound Mix:

Mono

Color:

Black and White Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The role of Ethel the landlady is played by Goldie Hawn's mother Laura.

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Goofs

When marine Bobby Danzig first speaks to Jeannie, he is wearing the insignia of a private first class (one chevron), but is wearing a red "blood stripe" on his dress blue trousers; this stripe is designated for non-commissioned officers, which a PFC is not (the Private First Class should be wearing plain blue trousers). However, the end credits identify Danzig as a corporal - two ranks higher than a PFC, and authorized to wear the stripe.

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Quotes

French deMille: Each returning serviceman will get his job back when the war is won. And you girls and women, you'll be going home. Back to being housewives and mothers as you promised to do when you came to work with us. Your lives will return to normal.

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Crazy Credits

Opening credits are shown over old, black and white photos.

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Alternate Versions

CBS edited 5 minutes from this film for its 1987 network television premiere.

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Connections

Referenced in Life Itself (2014)

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Soundtracks

I'll Be Seeing You
Composed by Irving Kahal and Sammy Fain
Performed by Jo Stafford

User Reviews

Heavy-handed comedy-drama with equal parts pathos and nostalgia

WWII star-vehicle for Goldie Hawn, here cast as a Rosie the Riveter-type who goes to work in an airplane-parts factory after her husband reports for duty. Poor beginning and hastily-filmed conclusion redeemed somewhat by bright moments in the middle. Hawn seems to realize she's being upstaged by Christine Lahti (as a "tramp" who lives in the same housing complex) and the final moments flip-flop trying to restructure the film's focus in Goldie's favor (check out that final shot). There's nothing wrong with that--Goldie's a wonderful presence and she's very appealing in parts of the movie--but her character as written just isn't all that interesting. As the men vying for Hawn's affections, Kurt Russell and Ed Harris are handsome and serviceable. As for Lahti, she indeed shines, obviously relishing the chance to play against type. I just wish the interaction between Lahti and Hawn had been explored with more depth, but it isn't. This is the fault of the screenwriter (the non-existent "Rob Morton", who is really Bo Goldman, Ron Nyswaner, and Nancy Dowd, here doing a WWII variation on "Coming Home", which Dowd also had a hand in) and also Goldie Hawn, who reportedly fought with director Jonathan Demme over control of the piece. They are all to blame for the slim box-office receipts "Swing Shift" struggled to bring in. **1/2 from ****