In the near future, a charismatic leader summons the street gangs of New York City in a bid to take it over. When he is killed, The Warriors are falsely blamed and now must fight their way home while every other gang is hunting them down.
Two Arkansas firemen, Vince and Don, get hold of a map that leads to a cache of stolen gold in an abandoned factory in East St. Louis. What they don't know is that the factory is in the ... See full summary »
Rock and Roll singer is taken captive by a motorcycle gang in a strange world that seems to be a cross of the 1950's and the present or future. Her ex-boyfriend returns to town and to find her missing and goes to her rescue.Written by
K. Rose <firstname.lastname@example.org>
The title came from a song written and recorded by Bruce Springsteen on his album "Darkness On The Edge Of Town". Original plans were for the song to be featured on the film soudtrack but when Springsteen found out the song would be rerecorded by other vocalists, he withdrew permission for the song to be used. See more »
During the climactic fistfight, the bloody cut on Raven's right temple disappears and reappears. See more »
Well somebody figured out how to make it work with her, she's been livin' with a guy named Billy Fish.
He's done some rock joints in the Battery. Started managing her act.
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This is a brilliant film that is much more than it should be because of one genius director - Walter Hill.
He understands and sets the tone and world of this pic perfectly - it has straight-forward, old-western style dialouge, clear good and bad characters and rip-roaring action that reminds you of the old classic westerns that Walter Hill admittedly loves, in particular the Searcher's.
I won't say much about the plot expect for a badboy returns home rescue the girl he once loved after she is kidnapped by a leather-clad motorcycle gang. It's pretty simple but what you have to watch out for here is Walter Hill's visual and editorial style which was probably the best around in the eighties.
There isn't any Oscar-worthy performances here but there was never meant to be none - Michael Pare does well with his limited John Wayne modelled role, Rick Moranis shows that he can play much more than the "nerdy-neurotic" character that made him world famous in the early nineties, William Defoe plays a better villain in this than he did in Spiderman and Diane Lane shows that she was once, the hottest woman in Hollywood (she still ain't too bad today!).
This film deserves more credit, votes, attention and DVD extra's than it presently has - definitely one of the best film's of the eighties.
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