Stranger Than Paradise (1984)

A New Yorker's life is thrown into a tailspin when his younger cousin surprise visits him, starting a strange, unpredictable adventure.

Director:

Jim Jarmusch

Writer:

Jim Jarmusch

Stars:

John Lurie, Eszter Balint, Richard Edson

8 wins & 2 nominations.

Cast

Complete credited cast:
John Lurie	...	Willie
Eszter Balint	...	Eva
Richard Edson	...	Eddie
Cecillia Stark	...	Aunt Lotte
Danny Rosen	...	Billy
Rammellzee	...	Man with Money
Tom DiCillo	...	Airline Agent
Richard Boes	...	Factory Worker
Rockets Redglare	...	Poker Player
Harvey Perr	...	Poker Player
Brian J. Burchill	...	Poker Player
Sara Driver	...	Girl with Hat
Paul Sloane	...	Motel Owner

Storyline

A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along with a friend, they eventually end up visiting their aunt in the wastelands of Cleveland and then proceed to Florida where they lose all their money gambling before unwittingly gaining a fortune.

---

Plot Keywords:

road movie | independent film | new york city | cult film | low budget film | 

---

Genres:

Comedy | Drama

---

Certificate:

R

Details

Country:

USA West Germany

Language:

English Hungarian Italian

Release Date:

October 1984 (UK)

Also Known As:

Extraños en el paraíso

Filming Locations:

USA

Box Office

Budget:

$90,000 (estimated)

Gross USA:

$2,436,000

Cumulative Worldwide Gross:

$2,436,000

Company Credits

Production Co:

Cinesthesia Productions, Grokenberger Film Produktion, Zweites Deutsches Fernsehen (ZDF)

Technical Specs

Runtime:

89 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Included among the American Film Institute's 1998 list of the 400 movies nominated for the Top 100 Greatest American Movies.

---

Goofs

During the first shot of the motel room in Florida, a boom mic can be seen in the reflection on a window between the curtains.

---

Quotes

[first lines]
Willie: Yeah.
Aunt Lotte: [speaks indistinctly in Hungarian]
Willie: Oh, hello, Aunt Lotte.
Aunt Lotte: [replies indistinctly in Hungarian throughout conversation]
Willie: Don't speak to me in Hungarian, please. No, I haven't heard from him, not for ten years. Yeah, I got your letter. Speak English, please! Yeah, my little cousin Eva. Yeah, I know, she's come - coming here and she's gonna stay overnight, when's she coming? Today? Straight from Budapest today? Ah, no. No, I never agreed to that. I can't possibly babysit for her for...
[...]

---

Connections

Referenced in Cinefile: Made in the USA (1993)

---

Soundtracks

I Put a Spell on You
Written by Screamin' Jay Hawkins (as Jay Hawkins)
Used by permission of CBS Unart Catalog, Inc.
All Rights Reserved.
Performed by Screamin' Jay Hawkins
Courtesy of CBS Records

User Reviews

Neat little formal exercise

Watched for the second time the other night, and was struck how formal this really is. Every scene is a single take, some static, some with very stylized camera movement (static shot up the street to an approaching car; pick up car and track it as it passes, static again as it drives off). Occasionally an actor wanders off screen to the right, despite the camera trying to keep up; just this slight effect, surrounded as it is by so much silence and stillness, is enough to produce a slight frisson of tension. Blackouts separate the scenes, but either ambient sound or music cues continue as transitions during the cuts.

The main characters' costumes underline their alienation from the world around them. Judging from the props & surroundings, film seems to be set in contemporary (early-1980s) time. Willie and Eddie dress and act like late-Fifties/early-Sixties racetrack touts, and they seem most at ease in the retro living room of Aunt Lotte, who presumably left Hungary during that period. Eva's costumes likewise proclaim 'outsider,' though the dreary black she wears can signify either a refugee from East Europe or a jaded bohemian poseur.

First viewing a number of years back, I thought the film was offhanded and casual, with not much going on. A second viewing changed my mind - the absolute minimalism of the plot and dialogue leave plenty of space to explore Jarmusch's technique, composition, etc. It made me laugh out loud a couple of times, too.