| Complete credited cast: | |||
| John Lurie | ... | Willie | |
| Eszter Balint | ... | Eva | |
| Richard Edson | ... | Eddie | |
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Cecillia Stark | ... | Aunt Lotte |
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Danny Rosen | ... | Billy |
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Rammellzee | ... | Man with Money |
| Tom DiCillo | ... | Airline Agent | |
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Richard Boes | ... | Factory Worker |
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Rockets Redglare | ... | Poker Player |
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Harvey Perr | ... | Poker Player |
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Brian J. Burchill | ... | Poker Player |
| Sara Driver | ... | Girl with Hat | |
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Paul Sloane | ... | Motel Owner |
A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along with a friend, they eventually end up visiting their aunt in the wastelands of Cleveland and then proceed to Florida where they lose all their money gambling before unwittingly gaining a fortune. Written by J.Arnold Free <arnold@mayahtt.ca> and Brian McInnis
"Stranger than Paradise" (1984): Jim Jarmusch's first film. Often listed as a "comedy" and yes, I suppose there ARE a few oddly funny moments for the most part I find it an intensely bleak film, empty of almost all life but for a few lone cruiser characters who are detached from everyone else. The photography is astoundingly beautiful black & white. They are almost shot as individual stills with minor movements in them, and divided by blatant black divisions, which one can think of as the black pages of an old photo album. The velvety rich blacks, grays, and whites, plus the composed "still" scenes, cause me to think Jarmusch was trained as a static, 2-D artist first. Just a guess. This film is NOT about acting, which is limited at best, but doesn't really need much. We observe an alienated set of scenarios which are only enhanced by the stiff, awkward exchanges and pauses of the characters, and the lack of movement in the camera work. Ambient sound adds to the gritty reality of emptiness. Funny or not, this is a low-key, lost-souls story of detachment and aimlessness.