On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.
In the wake of Spock's ultimate deed of sacrifice, Admiral Kirk and the Enterprise crew return to Earth for some essential repairs to their ship. When they arrive at Spacedock, they are shocked to discover that the Enterprise is to be decommissioned. Even worse, Dr. McCoy begins acting strangely and Scotty has been reassigned to another ship. Kirk is forced to steal back the Enterprise and head across space to the Genesis Planet to save Spock and bring him to Vulcan. Unbeknownst to them, the Klingons are planning to steal the secrets of the Genesis Device for their own deadly purpose.Written by
Colin Tinto <firstname.lastname@example.org>
As in Star Trek II: The Wrath of Khan (1982), this film includes the famous "Space, the final frontier" monologue, spoken by Spock. As in the previous film, the words have been changed slightly, referring to seeking out "new lifeforms" instead of just "new life". This was the final use of this modified version of the monologue until Star Trek (2009), where it was also spoken by Spock. See more »
It wasn't explained why Admiral Kirk redid Carol Marcus' Genesis proposal presentation video word for word. See more »
[Spock's dying words, repeated from the previous film]
Don't grieve, Admiral. It is logical. The needs of the many outweigh...
...the needs of the few.
Or the one. I have been and always shall be your friend. Live long and prosper.
See more »
End title: "And the adventure continues..." See more »
An early ABC-TV broadcast had the flashbacks of Spock's death and the opening scene of Admiral Kirk on the Enterprise bridge deleted for time constraints. Instead, the opening fades in on Spock's tube being loaded for launch and then after the opening credits, it switches straight to the scenes between the freighter and the Klingon warship followed by the Enterprise's arrival on Earth. See more »
You'll never watch "Taxi" reruns the same way again!
Christopher Lloyd has to be one of the most brilliant actors in history. When I first saw him, as Reverend Jim Ignatowski, I was very young, and his presence was very "memorable." As with Sean Penn as Jeff Spicoli in Fast Times At Ridgemont High, it takes several different performances to truly grasp his range.
The rest of the cast? If you have to ask....
The plot? If you have to ask...okay, this time the crew goes on a mission to find Spock, whose mind has been placed in Dr. McCoy for safekeeping while his body chilled out at the Genesis spa. Only a vulcan ritual can make everything right, but first the crew has to retrieve Spock's body from Genesis, and in doing so they encounter the evil Klingon commander Kruge (Lloyd).
The special effects on this film were subpar, particularly the fight scenes on the exploding Genesis planet; I've seen better special effects with fire on a soap opera. That's acceptable, however, since when the film came out, we needed Spock to return to the living, though today's audiences wouldn't understand the significance of having killed him off at the end of II.
To those who don't know, when Kruge says "I come all this way for Genesis, and this is what I find," Lloyd is in the character of Reverend Jim from Taxi, and the theater I was in exploded in laughter at the time; this joke would be lost on anyone who hasn't seen that series. All that was missing was Danny DeVito as a space dispatcher or Andy Kaufman as an alien.
Whereas Star Trek I tilted a little too much towards the hardcore fan base, and Star Trek II was perfect for everyone (by far the best of the series), Star Trek III was a decent film that satisfied the intense cravings of Trekkies (not Trekkers, as there was no shame in being a Trekkie back then) for more footage of the famous crew of space pioneers. This was before the internet, before cable and even video stores (almost), and when all we had were the 78/79 episodes that were in reruns and which we had memorized every line to. I left the theater pleased with the film, knowing it could have been better, but it also could have been far worse.
Perhaps the film's greatest achievement is that it was obviously made to cash in on the growing rerun audience from the series, yet it still managed to be superior to most episodes, while stacking up decently against every other Trek film ever made, except for Star Trek II and First Contact.
If you're a hardcore fan, buy the DVD; if not, catch it on cable. Either way, you'll be pleased.
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