Allen Bauer is rescued from drowning as a young boy off Cape Cod by a young mermaid. Years later, he returns to the same location, and once again manages to fall into the sea, and is rescued once more by the mermaid (Allen isn't sure what he has seen and what he has imagined). Using maps from a sunken ship, the mermaid decides to search for Allen in New York City, sprouting legs when her tail dries. On finding Allen, they fall in love, but she has a secret, which will no longer be a secret if she gets her legs wet.Written by
Two days ago, this girl showed up naked at the Statue of Liberty. For Allen Bauer, it was love at first sight. Now, everyone is chasing her... trying to prove she's a mermaid. From the first laugh you'll be hooked. See more »
The fountain from the movie is now on display at Disney's MGM Studios at Walt Disney World. The mermaid fin Daryl Hannah wore is behind the bar at Planet Hollywood in Downtown Disney. See more »
During the final sequence in which Madison rescues Alan from the divers, she uses her tail twice to defend herself. In both instances a hand is clearly seen positioning a tail prop against the divers. See more »
[catches Freddie looking up women's skirts]
I dropped something.
Ralph, talk to him.
[Ralph smacks Freddie upside the head]
Listen to your father. Come on, from over there we can see Cape Cod.
We were just on Cape Cod. We could have stayed there, I would have saved twelve dollars.
Allen, sweetheart, don't you want to see Cape Cod?
[Allen shakes his head]
All right, darling, you know where we are if you change your mind.
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Tom Hanks and Daryl Hannah swimming and coming to an underwater city. See more »
A scene where Madison meets an elderly, ugly mermaid - the Sea Hag - who warns her of falling in love with a human, was filmed but dropped before the film was released. Short parts of this complex scene can be seen on the DVD. See more »
I never saw "Splash" in the theatre, but I remember some of the media hype prior to the release of the film. And specifically I remember the much talked about production of another film staring Bo Derek and Warren Beatty. And therein lies a small fish tale.
I was working at a bookstore in a local mall prior to "Splash's" release. I was behind one of the cash registers when two men (one bald, or so I recalled, the other wearing a beret), standing above five feet, both wearing long black trench coats, and both speaking Italian (or possibly Greek), came into the store. They wanted books on mermaids, and said it was for Bo Derek's new film.
Being a shopping mall bookstore, and a small one at that, we didn't have a whole lot on mermaids. But I remember pointing them to the small mythology section, and hearing some rustling and mumbling in Italian. They came back, reminded us that it was for "Bo Derek's new film..." to which we (myself and one other employee) shrugged, and guided them to another section (children's fiction, I think). Dismayed they complained to us that there was nothing there, to which we told them that we must not have anything, and that they might want to check the library.
They left, and argued with one another out in front of the store. My coworker laughed, commenting "They know Bo Derek? Ya right!" I shrugged, and replied "You never know." Reflecting back on that episode I know understand that these were either the art directors or conceptual artists for the "other" mermaid film that was to be the basis for the mermaid-film-market that summer. Only Ron Howard was able to get his project off and completed before my two Italian patrons could get the green-light for their film.
I can't imagine what the other film would've been like. It probably would've been long, sappy, mildly amusing, and probably painted over with John Derek's supposedly "erotic" cinematography of his then wife.
I'm glad "Splash" came out, and was as funny as it was, and as big a hit as it was. Sometimes films don't need a market competitor, and deserve to monopolize the playing field. Not always, but sometimes they do. "Splash" could've fallen into the Mariana's trench of summer B-movies, but Howard and company had the right intuition to make the film smart, and not to put a nail in Davy Jones's locker by making "Madison" some mindless love interest.
I can imagine Bo's movie would've had her roaming naked on the screen for about a third of the film, and probably would've packed the theatres with older teenage boys and frat-rats. I guess there's a place for that sort of thing. Even so I'm glad "Splash" was the film that made the charts instead of that other one.
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