Doc Jenkins is a singer/songwriter who tries to leave his singer/songwriter roots to be a music "mogul", and gets tangled up in a bad publishing deal. He enlists a team of cronies, ...
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William D. Wittliff
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Lesley Ann Warren
Doc Jenkins is a singer/songwriter who tries to leave his singer/songwriter roots to be a music "mogul", and gets tangled up in a bad publishing deal. He enlists a team of cronies, including a young singer and his former singing partner, Blackie Buck, and together they execute his plan to get out of the deal. He gets help from a stereotypical small-time concert promoter. Honey Carder is the love interest/ex-wife.Written by
A film whose time has come. Willie Nelson and Kris Kristofferson essentially play themselves as a songwriter and a cock-of-the-walk country god, and do it perfectly. The plot concerns Willie's character, Doc Jenkins, attempting to liberate himself from a contract he committed to when he was younger, drunker and a little less immortal. The supporting players are top of the line aces, including a surly Rip Torn and the always-great Melinda Dillon. Lesley Ann Warren is the new singer who Doc hitches his stars to, and she's convincing enough. The dialogue is fast, funny and, I suspect, captures the inside angle of the Music Business to a tee. One of the most unheralded great, little movies of all time. A better version of all those other syrupy, sentimental inside music movies.
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