Sheena grew up in the African wild, raised by a mystical witch woman. When her foster mother is framed for a murder Sheena is forced to flee, helped by her ability to talk to animals and her knowledge of the jungle.
Sheena's white parents are killed while on Safari. She is raised by the mystical witch woman of an African tribe. When her foster mother is framed for the murder of a political leader, Sheena and a newsman, Vic Casey are forced to flee while pursued by the mercenaries hired by the real killer, who hopes to assume power. Sheena's ability to talk to the animals and knowledge of jungle lore give them a chance against the high tech weapons of the mercenaries.Written by
John Vogel <firstname.lastname@example.org>
After the elephant crashes through the wall of the jail, the guards try to leave the room. Monkeys trying to trip the guards with a gun, drop the gun before the guards can trip on it, but the guards still fall. It happens about 36 minutes into the movie. See more »
See! See! Even in chains, we can defeat them! Turn your minds back, oh my people. Remember yourselves- a thousand, a thousand moons ago! Bring your bows! Chief Harumba- Attack!
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In order to obtain a "PG" rating in the UK, 14 seconds were cut from the original theatrical release to edit the stabbing of a man's throat with a spear and a shot of a man on fire. The video release, rated "15" in 1986 restored the cinema cuts but lost a compulsory BBFC cut to a shot of a zebra being tripped over. See more »
I could watch the wonderfully appealing Tanya Roberts all day in slow motion riding that horse Ah I mean zebra and swinging through the jungle. Who wouldn't? She looked great. However with the acting, I just don't know if that was her natural abilities shinning through because it seemed to be taking a lot out of her with her constant head grabbing. No that's right, she's telepathically communicating with the animals ala "The Beastmaster". As for the film itself of epic proportions. Director John Guillermin kind of shoots himself in the foot. The material tries to be fashionable with it's comic-book origins that's based upon S.M. Eiger and Will Eisner's comic strip books "Sheena, Queen of the Jungle", but transcends into campy goofiness and lazy story-telling with an awkward sexual allurement. I don't know who this was aimed at. It pushes the boundaries of juvenile silliness that seems to be aimed at children, but its free flowing t&a (thankyou to a nekid Tanya) rules out that possibility. But how, this one has a family feel to it. The action set-pieces are often poorly staged and eye-boggling, with a rough around the edges quality coming through. Other than Roberts being pretty much eye-candy, the stunning Kenya locations managed to give the film a sense of place with Pasqualino De Santis' handsome widescreen photography being smoothly protracted. On the other side of the coin Richard Hartley's music score was relatively ham-fisted and out-of-place. Even the script tackles many issues in a tacky, forced one-note mode that's quite rib-tickling or pain-staking depending on the mood of the viewer. The romance between Roberts and Wass is pitiful. Starring opposite of Roberts is Ted Wass, who's capably charming in his role. Donovan Scott is given free reign in the comic part. I don't think this film is that awful, as its made out to be, but it has quite a few bad elements that'll give it a hard time in trying to fight off that stinker tag. At least the laughs keep on coming. Unintentional or not, is the question?
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