15 year-old Molly is the best in her class in high school. Nobody suspects that the model pupil earns her money at night: as prostitute "Angel" on Sunset Blvd. The well-organized separation... See full summary »
Molly, former baby prostitute "Angel" from Sunset Boulevard, has managed to leave her street life with help of Lt. Andrews. She studies law at an university and aims to become attorney. ... See full summary »
Traumatized by her mother's death, young Susan is becoming possessed by the same demon that possessed her mother before she died. More and more her husband and psychiatrist are noticing the... See full summary »
An altercation between a group of girls out for the night and a gang of local punks leaves the punks vowing revenge. It comes in the form of the gang-rape of a young mute (Heather) and her older sister (Brenda) starts hunting the gang in turn - armed with bear traps and crossbow.Written by
David Carroll <email@example.com>
Just before Brenda confronts Red and Fargo outside the warehouse, Red hands his cigarette to Fargo. But as Brenda speaks to them, the cigarette is back in Red's hand. See more »
[Brenda confronts Fargo and Red in the warehouse]
Welcome home... ASSHOLES!
You must be out of your mind, coming here!
Maybe she's looking for a little bit of what we gave her sister, huh?
Maybe she's looking for a whole lot more than what we gave her sister!
See more »
British 18 cert. version is very heavily cut for the rape scene and violence. Also Finnish pre.cert. tape is cut for one minute and 41 seconds. See more »
I was in the mood for some '80s schlock and came upon this title, a rape revenge movie starring Linda Blair. It looked like I had struck gold, but, alas, it was a disappointment. Not a massive one, mind you, but its many awesome elements never gel into anything particularly amusing. Blair plays a teenager who, along with her friends and younger, deaf sister (Linnea Quigley, much more innocent than usual), trashes some punks' car after they mess with them on the street. The punks (led by Robert Dryer, whose neck muscles are so taut they look like could snap at any moment and put an eye out) find the girls at school and retaliate by raping Quigley. The big problem with the film is it's just so basic. Rape revenge plots are pretty common in exploitation cinema, but, really, there's only one good one: Ms. 45. Most of them are boring, because there's just not much going on in them. In Savage Streets, there's way too long a time when Blair and her buddies are sitting around moping about the crime, wondering who did it. When it finally kicks into full throttle, it's fun, but it's all over in a few minutes. Blair's 1980s hairdo is fantastic, and the horribly cheesy rock music is glorious (the song that plays over the credits includes a line about neon rainbows).
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