Shortly after World War II an American soldier (Norman) and a Polish refugee (Emilia) fall in deep love. Eventually he will return to the U.S. and both expect that she will soon follow him.... See full summary »
Dramatization of the controversial best-seller that posits an alternate version of the birth of Christianity. In this version, Jesus planned for His crucifixion by taking a drug that would ... See full summary »
Set in the Depression, a gang of half-witted small-time hoods led by Slim Grissom kidnap heiress Barbara Blandish and Slim proceeds to fall in love with her. Remake of the British film No ... See full summary »
Returning to the small Florida town where he grew up, Billy Turner (Nelson) learns that his father has been killed. With little help from the police, Billy will take matters into his own ... See full summary »
An idealistic rookie cop joins the L.A.P.D. to make ends meet while finishing law school, and is indoctrinated by a seasoned veteran. As time goes on, he loses his ambitions and family as police work becomes his entire life.
George C. Scott,
After his mother's death, Collin Fenwick goes to live with his father's cousins, the wealthy, avaricious, and controlling Verena Talbo, and her compliant, earthy sister Dolly. When a city ... See full summary »
I saw this on video in the early 90s as "On the Line." It appeared to be in undubbed English. In the version I saw the two (or maybe three) story lines are not well integrated. One is the long standing rivalry between David Carradine, as a successful smuggler of illegal Mexican immigrants, and Scott Wilson, as an overzealous Border Patrol Agent. Another plot involves the arrival of two naive young men (related to one of the other characters, maybe Wilson) from the American Midwest, and the subsequent involvement of one of them with a Mexican prostitute played by Victoria Abril, who is quite good in the role. This portion of the film also examines the lives of a few of the other prostitutes who inhabit the brothel where Abril works. And it leads to an amusing cameo by Sam Jaffe as a somewhat senile crime lord. Perhaps the US video distributor had this film cut awkwardly to make it appear more of an action flick. For instance, David Carradine is top billed, but his screen time is not substantial--he pretty much disappears in the second half of the film. The film is well directed and photographed. It's evident that the writer/director had something beyond an exploitation flick in mind here. I would like to see the uncut Spanish version.
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