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Runaway (1984)

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In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.


Michael Crichton
4,120 ( 530)
1 nomination. See more awards »





Cast overview, first billed only:
Tom Selleck ... Jack Ramsay
Cynthia Rhodes ... Thompson
Gene Simmons ... Luther
Kirstie Alley ... Jackie Rogers
Stan Shaw ... Marvin
G.W. Bailey ... Chief
Joey Cramer ... Bobby Ramsay
Chris Mulkey ... Johnson
Anne-Marie Martin ... Hooker at Bar
Michael Paul Chan ... Wilson
Elizabeth Norment Elizabeth Norment ... Miss Shields
Carol Teesdale ... Sally
Jackson Davies Jackson Davies ... Inspector
Paul Batten Paul Batten ... Harry
Babs Chula ... Construction Foreperson (as Babs Chulla)


In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.

Plot Summary | Plot Synopsis


It Is The Future. He fought the horror of robots programmed to kill. See more »


PG-13 | See all certifications »

Parents Guide:

View content advisory »






Release Date:

14 December 1984 (USA) See more »

Also Known As:

Runaway - Spinnen des Todes See more »

Filming Locations:

Moses Lake, Washington, USA See more »


Box Office

Gross USA:

See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:




Aspect Ratio:

2.39 : 1
See full technical specs »

Did You Know?


The on-camera relationship between Charles Luther (Gene Simmons) and Jack Ramsay (Tom Selleck) is one of intense emotion. "While we're playing a scene I hate his guts", Simmons said of Selleck and added, "I really want to kill him. It's funny, when doing this stuff it all wells up. I can't concentrate on giving somebody a certain look for an extended period of time without my temperature rising and my emotions starting to boil. Sometimes I would make up stuff about Tom, little things that would irritate me. And afterwards, I would go up to Tom and say, 'Look, I don't know if I was too . . . and he'd interrupt and say, 'NO, no. Don't explain anything. You're doing great'." See more »


Near the end of the film, Ramsay is attacked by robotic spiders and his face is covered with acid. A few scenes later, he starts making out with Karen. Her face should have also been burned with acid from Ramsay's face, but it was not. See more »


Luther: That wasn't very nice, Ramsay!
See more »


Featured in At the Movies: Dune/Starman/Mass Appeal/Runaway (1984) See more »

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User Reviews

One of the More Bland Selleck Films of the 1980s
15 February 2010 | by gavin6942See all my reviews

In the near future (which today looks like the near past), the police have a new problem to contend with: runaways! What is a runaway? A robot that no longer responds to its programming and is going rogue, like Sarah Palin with circuit boards. And now they've gone from malfunction to murder, controlled by an evil madman.

What would you say if I said there's a film that has Tom Selleck as a cop that fights robotic spiders and an evil Gene Simmons? If you're like me, you'd say that you wanted to see it as soon as possible and stream it on Netflix. Well, that might be either the best decision you've ever made or your worst nightmare. (Also, if you're like me, you heard about this film from the TV show "Community", which is incredibly awesome.) Indeed, there's much to love about Selleck and a younger Simmons, and a fleet of robots programmed to destroy. Even Kirstie Alley, who has a generally repulsive nature, is presented as a sex symbol here, with mixed results. While I have great difficulty finding her attractive, the Selleck character becomes torn between her and his female partner. It's not quite a love triangle, but when you're Selleck you can have any woman you want.

Yet, the film drags at times, and the climax seems to go on a bit longer than necessary. As much as I love Selleck and the concept of this film, I can't say it ranks up there with "Gypsy Warrior" or "Quigley Down Under". I just didn't feel it. I should not have been bored at any time, but I was... if it wasn't for beer (in this case, Coors Light) it may have been a difficult film to sit through. Not good enough to enjoy or bad enough to rip on... just sort of bland.

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