Three Italian-American brothers, living in the slums of 1940's New York City, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
When a serial killer turns his attention on the lead detective he is asked to check into a clinic treating law enforcement officials who cant face their jobs. As the patients begin being murdered they restart doing what they do best.
Charles S. Dutton,
Jake, an aspiring singer from Tennessee comes to New York City and finds herself working in club owned by a sleazy guy named Freddy. It seems Jake is under contract, and Freddy doesn't want to let her go. So Jake makes a bet; that she can train anyone to sing, and if she does, he lets her out of her contract, and the guy she has to train is a cabbie named Nick. They go to her house in Tennessee, and Jake tries to teach him, but it's very tough.Written by
Dolly Parton scored two Top Ten country-and-western chart singles from this movie. These were "God Won't Get You" and the chart-topping "Tennessee Homesick Blues". See more »
During the opening credits, the camera is reflected in the window of the helicopter they used to film the night-time scenery. See more »
Budweiser you created a monster / and they call him Drinkenstein / And the tavern down the street is the labba-tor-eye-ee / where he makes the transformation all the time / And a stein of Dr. Buuuud is a pint of monster blood / and it does effect me different every time / Budweiser you created a monster / and they call me Drinkenstein / And they call me Drinkenstein / I'm Drinkenstein! / I'm Drinkenstein!
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This is a genuinely funny movie in parts and that may really be what it was all about and perhaps I should just accept it as such and leave it be. But this movie is so fun to trash! Dolly plays, well... Dolly, as she usually does in every movie she has ever been in. She is poured into impossibly tight outfits and she is indeed formidable. One wonders how she is able to breath in these tight outfits, much less talk and sing. Richard Farnsworth plays old codgers pretty well. Sylvester, steals the show playing a character so unlike anything he had played before (or since in fact). Well, the basic New York/East Coast type of guy seems to be a constant thing, but to take him out of Tennessee and attempt to make him into a country singer? Unfortunately, we see why his singing career never took off, despite his attempts to "sing funny" he sounds like a drunk in a karaoke bar at 2am and moves like he trying to do half-remembered Mick Jagger stage routines.
Funny movie though, his yelling and screaming while playing the organ made me laugh even before the scene's real punchline was revealed.
Recommended if you enjoy getting good looks at Dolly Parton's early 1980s figure and like seeing Stallone make fun of himself. Show this one movie with a selection of his early porn work and make the debacle complete.
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