Frustrated punk rocker Otto quits his supermarket job after slugging a co-worker, and is later dumped by his girlfriend at a party. Wandering the streets in frustration, he is recruited in the repossession of a car by a repo agent. After discovering his parents have donated his college fund to a televangelist, he joins the repossession agency (Helping Hand Acceptance Corporation) as an apprentice "repo man". During his training, he is introduced into the mercenary and paranoid world of the drivers, befriended by a UFO conspiracy theorist, confronted by rival repo agents, discovers some of his one-time friends have turned to a life of crime, is lectured to near cosmic unconsciousness by the repo agency grounds worker, and finds himself entangled in a web of intrigue concerning a huge repossession bounty on a 1964 Chevy Malibu driven by a lunatic government scientist, with Top Secret cargo in the trunk.Written by
Alex Cox visited Iggy Pop personally at his apartment, to explain the movie to him and request that he do a song for the soundtrack. Iggy's career was going through a rough patch at that point - prompted in part by the singer's 'wild lifestyle' - and he needed some money and breathing space. It also helped that Cox gave Iggy carte blanche to do whatever he wanted with the song. "It was like a gift from God to express myself," said Iggy of the opportunity. See more »
Otto's mouth when he asks Duke when he got out of the slammer. See more »
Credit is a sacred trust, it's what our free society is founded on. Do you think they give a damn about their bills in Russia? I said, do you think they give a damn about their bills in Russia?
They don't pay bills in Russia, it's all free.
All free? Free my ass. What are you, a fuckin' commie? Huh?
No, I ain't no commie.
Well, you better not be. I don't want no commies in my car. No Christians either.
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This was a surprise for me, I really didn't expect 'Repo Man' to hit such a chord with me, and alas it succeeded in making me a fan. I was admittedly a little put off by the film's supposed punk outset but was glad to find that it didn't take itself seriously and often had its tongue planted firmly in the cheek.
What Alex Cox delivers here is a timeless classic that has seemingly influenced a lot of my favourite films to date, and of course was influenced itself by other personal favourites. So not only was it natural for me to love 'Repo Man', but it won me over on its own rights with its wonderfully satirical tone and hilarious yet interesting dystopian science fiction themes.
Although incredibly annoying at first, the film's characters eventually won me over and by the end of the film I had learned to love every one of them. This was thanks to the effective and focused characterisation dealt with by Cox, allowing his characters to grow from being dislikable idiots to harmless jesters. Indeed if it wasn't for the characters, 'Repo Man' wouldn't be as funny as it is and it wouldn't even be as interesting. In key with the writing, the cast also do a great job with the handling of their characters, all turning in solid and memorable performances.
If there is one complaint I have it is that the pacing sometimes goes a little out of balance and leads to the story to getting caught up in trivial scenes that either should have been cut or been made more progressive to the plot. Nevertheless, I absolutely loved this film (especially that brilliant ending!) and recommend it to fans of science fiction comedy or satires. Granted not everyone will enjoy at as much as I did, but it certainly deserves a watch.
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