The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during the First World War and then the October Revolution.
Henry Hobson is a successful bootmaker, a widower and a tyrannical father of three daughters. The girls each want to leave their father by getting married, but Henry refuses because marriage traditions require him to pay out settlements.
Brenda de Banzie
It's the early 1920s. Britons Adela Quested and her probable future mother-in-law Mrs. Moore have just arrived in Chandrapore in British India to visit Adela's unofficial betrothed, Ronny Heaslop, who works there as the city's magistrate. Adela and Mrs. Moore, who long for "an adventure" in experiencing all India has to offer, are dismayed to learn upon their arrival that the ruling British do not socialize let alone associate with the native population, such people as the Turtons - Mr. Turton being Ronny's superior - who openly thumb their noses at the idea in their belief that the Indians are an inferior peoples. They are further dismayed to see that Ronny adheres to that custom in not wanting to jeopardize his career. At the local white only club, Adela and Mrs. Moore find a like-minded Brit in the form of Richard Fielding, the school master at government college, he who offers to organize a small but truly inclusive social gathering with some natives for them, unlike the large ...Written by
The relationship between David Lean and Alec Guinness deteriorated during the making of the movie. The final straw came for Guinness when he found out that a large chunk of his scenes had been left on the cutting floor by Lean. Neither man ever met or spoke to the other again. See more »
The visiting British women, in addition to a band, are treated to reed instruments which resemble (South Indian) naadaswarams and not local Bihari music, though everybody including Fielding speaks Hindi and Urdu. When Dr Aziz is being felicitated for his freedom, the music is in Hindu Marathi - "Govinda Ala re," a music reserved only during Janmashtami ( Lord Krishnas' birth) in Maharashtra, whereas the audience is predominantly Moslem. See more »
David Lean has made some of the best films of all time (viz. "Dr. Zhivago" and "Lawrence of Arabia"), and E. M. Forster is a delightful writer (viz. "Howards End" and "Room with a View"). This film, however, turns out to be a disappointment. While some other reviewers have loved it, I suspect that they have not read the novel. Moreover, as a pure story, it does not match up to Lean's earlier work.
The very essence of the story is the question, can Indians and Britons be friends? That is the heart of the novel, as Dr. Aziz and Mr. Fielding struggle to be friends as their societies conflict and they offend each other through misunderstandings. This is not really shown in the film. In fact, in some ways, the chief Anglo-Indian relationship in the film is a latent love between Dr. Aziz and Miss Quested. Lean leads us to believe that they secretly long for each other, but society (and they themselves) will not allow such a relationship. Additionally, Lean has changed much of the focus from an Indian story (about Dr. Aziz and his search for a place in colonial society) to a British one (about the place of British colonials in an alien place). This is reinforced by the invented opening scene of the movie, which is not in the novel.
I watched this film with a friend who had not read the novel, and she had a hard time following many of the plot twists.
Considering the novel as the premise, this is not an epic tale, and it was not suited for Lean's grand style. The more intimate style of Merchant-Ivory would have been appropriate here. Lawrence's "Seven Pillars of Wisdom" and Pasternak's "Dr. Zhivago" were epic novels needing broad strokes to appear on screen. Forster's novel mixed subtle satire with poignant portrayal of the dilemma's facing a Western-educated Indian under the British Raj. Most of that is lost in this film.
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