With the vivid memory of his long-gone childhood friends, Max, Patsy, and Cockeye, etched in his mind, his ferociously loyal partners-in-crime during their rise to prominence in New York's Prohibition-era Lower East Side, the defeated, penniless, and guilt-ridden former gangster, David "Noodles" Aaronson, returns to Manhattan. Not knowing what to expect, while on a mission to shed light on his opaque past, grizzled Noodles reunites with his only living friend, Fat Moe, after thirty-five haunted years of self-exile. However, the relentless, piercing sound of culpability stands in the way of finding closure, as the inscrutable content of a well-worn leather suitcase further complicates matters. And now, against the backdrop of a torn conscience, the sad and bittersweet recollections of more than fifty years of love, death, and everything in between, become inextricably intertwined, leading to even more puzzling questions. But, what are a man's options when he is left with nothing?Written by
Darlanne Fluegel's last name is misspelled in the opening credits. See more »
[In 1933, three goons question a young woman about Noodles]
Where is he? Where's he hiding?
I don't know... I've been looking for him since yesterday.
[second goon slaps her harshly; she falls onto the bed]
I'm gonna ask you for the last time: where is he?
I don't know... what are you gonna do to him?
[second goon shoots her dead]
[to third goon]
Stay here in case that rat shows up.
One of Beefy's Thugs:
[...] See more »
A network television version of three hours (without commercials) was briefly available in the early-to-mid-1990s, which retained the film's non-chronological order but still left out several key scenes. This version has recently turned up in viewings of the film for the AMC TV channel. See more »
St. James Infirmary Blues
Traditional. sometimes credited as written by Irving Mills (1930) See more »
Leone's "Godfather" Version, And About As Good
This Godfather-type film was done by Sergio Leone, of spaghetti-western fame, so you know you will see and experience several of his trademarks. Namely: (1) a lot of facial closeups; (2) some slow-motion or slow-moving dramatic scenes; (3) good overall photography and (4) a unique soundtrack.
The period sets here are magnificent. You get a real feel of the time, whether it's 1910, 1933 or 1967. The colors are awash in blacks, browns and grays and the DVD brings all these out very well, especially considering the film is over 20 years old.
Despite some of Leone's slow moments, this is a fascinating film to watch for the story, too. There are numerous memorable scenes, some of them involving some downright shocking violence, even for today's movies. However, the amount of violence is less than what you see today.
The movie also sports an interesting twist near the end involving the two major characters, played by Robert De Niro and James Woods. The story is not always clear, either, so be prepared to be possibly confused about a few things....at least on the first viewing. Confused or not, this film always is fascinating to view, especially with intense actors such as the two men just mentioned, along with Elizabeth McGovern, Tuesday Weld, Joe Pecsi, Burt Young, Treat Williams and more.
The child actors in here take up almost half the movie and are excellent. What an injustice they don't receive any publicity for their acting, especially the kids who played De Niro and Woods as youngsters. One of the girls has become a famous adult actress: Jennifer Connelly. She was 12 years old in this film and was already alluring.
This is Godfather-type crime movie that ranks right up there with that famous film, not taking a back seat to it at all.
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