A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
As boys, they made a pact to share their fortunes, their loves, their lives. As men, they shared a dream to rise from poverty to power. Forging an empire built on greed, violence and betrayal, their dream would end as a mystery that refuse to die. See more »
While the three hour and forty-nine minute version is touted as the definite version of the film, Sergio Leone wanted the film to have a running time of four hours and ten minutes to four hours and thirty-four minutes. The three hour and forty-nine minute version left out forty-five minutes that Leone considered essential on the cutting room floor, including: further explanation of the mob and labor relationship, David "Noodles" Aaronson meeting Carol (Tuesday Weld) in 1968, and a good deal of footage featuring Noodles' relationship with Eve (Darlanne Fluegel). See more »
When Deborah is a child her eyes are brown; when she is an adult they are blue. See more »
[In 1933, two goons rudely question a young woman]
Where is he? Where's he hiding?
I don't know... I've been looking for him since yesterday.
[second goon slaps her harshly; she falls onto the bed]
I'm gonna ask you for the last time: Where is he?
I don't know... What are you gonna do to him?
[Two shots are heard]
[to his partner]
Stay here in case that rat shows up...
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The Brazilian DVD (Warner) is heavily censored by blurring and re-framing in the scene a woman pretends to be dead in the back of a hearse by blurring and re-framing. These cuts were originally made in the Korean release. The first Brazilian release by Flashstar is uncut. See more »
This has to be the most boring gangster film I've ever seen. Basically it's about Robert DeNiro and James Wood's friendship over fifty years or so as they rise and fall in the gang world. It's interesting to do it about Jewish gangsters, because most films center on Italian gangsters, but their being Jewish didn't seem to make much difference in the film. DeNiro and Woods were subdued, and I didn't buy for a second that they actually might care about one another. The female lead and DeNiro had no chemistry. Leone centered more on cinemetography than story, and the little story there was was painfully streched out to almost three and a half hours. Speaking of the cinemetography- sure there were some very nice images, but basically they were going for the same look as "The Godfather" only maybe with a little more of a golden nostolgia feel for it. I don't mind slowly paced films, but that deliberate pace must be used to draw the viewer into the film, the pace of "Once Upon a Time," just makes the viewer wish that he had commited suicide instead of having to watch it. I'm not a big gangster film fan, but this one ranks low among gangster films. It lacks the visual pop of "Goodfella's," the emotional intensity of "Miller's Crossing," the cultural/historic significance of "Godfather," the moralistic elements of "Angels with Dirty Faces," or the acting prowess of "White Heat." And it is certainly a lot more boring than any of the above films listed.
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