A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
In the original script, Deborah Gelly was fifteen-years-old, but Elizabeth McGovern was twenty-years-old when shooting began, twenty-one-years-old when it ended, and twenty-two-years-old when the movie premiered. See more »
In 1968, Noodles returns to the train station and opens a briefcase full of money. As he gets set to close the briefcase, we hear the chug-chug of a steam locomotive starting up in the background, then a steam whistle sounds. New York City banned steam locomotives in 1860. In the US, most steam engines were replaced with diesel locomotives by 1958. See more »
[In 1933, two goons rudely question a young woman]
Where is he? Where's he hiding?
I don't know... I've been looking for him since yesterday.
[second goon slaps her harshly; she falls onto the bed]
I'm gonna ask you for the last time: Where is he?
I don't know... What are you gonna do to him?
[Two shots are heard]
[to his partner]
Stay here in case that rat shows up...
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A Profound Expression of Truth Regarding Friendship andBetrayal
This film is a profound expression of truth regarding friendship and betrayal. Noodles, played by Robert De Niro and Scott Tiler (during childhood), is a simple man and a thug with one credo: you can battle the entire world but you never betray a friend. During the course of this film we experience various pieces of Noodles's life, from childhood, through young adulthood and old age. We learn what happens to his friends, his foes and the love of his life, Deborah. The time span considered is long, including Noodles's childhood shortly after the turn of the century, through the prohibition era, and finally the 1960's.
The film is about relationships; the many years Noodles spends away from his friends receive only a cursory mention. The film, like life and memories, unfolds slowly and reflectively. Sergio Leone's cuts are long and each scene is beautifully amplified my Ennio Morricone's haunting score. The story is not told chronologically. Instead, the chapters of the story are slowly revealed like pieces of a great jigsaw puzzle. Each delicious piece might make us laugh, or cry, or smile, or feel shock. But, as each piece falls into place, a mystery unfolds. When the final piece is revealed, the true essence of the story becomes clear and a sad and beautiful tapestry comes into view.
This film is a true masterpiece, expressing a profound statement about friendship and betrayal, with fantastic acting, writing, directing and music. There is a shortened, two-and-a-half-hour version of the film released that is a disaster. It is like trying to understand a jigsaw puzzle with half of the pieces missing. The original four-hour film can be viewed and enjoyed several times and each time the viewer will see something new.
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