A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
As boys, they made a pact to share their fortunes, their loves, their lives. As men, they shared a dream to rise from poverty to power. Their story is now a "once upon a time" motion picture experience. [Australia Theatrical] See more »
When Shane MacGowan of The Pogues was writing "Fairytale of New York", he had never actually visited the city, so he watched this movie countless times to get a feel for the New York City atmosphere. See more »
While Dominic looks at himself in the mirror, just after the boys talk about the deadbeat newsstand vendor, a lady can be seen behind him picking up a 50-star U.S. flag. But the flag in 1920 had 48 stars. See more »
[In 1933, two goons rudely question a young woman]
Where is he? Where's he hiding?
I don't know... I've been looking for him since yesterday.
[second goon slaps her harshly; she falls onto the bed]
I'm gonna ask you for the last time: Where is he?
I don't know... What are you gonna do to him?
[Two shots are heard]
[to his partner]
Stay here in case that rat shows up...
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For the DVD release in Germany, the film was completely redubbed. The reason for this is unknown since the VHS releases contained the original dub and were distributed by the same company as the DVD, Warner Home Video. See more »
This has to be the most boring gangster film I've ever seen. Basically it's about Robert DeNiro and James Wood's friendship over fifty years or so as they rise and fall in the gang world. It's interesting to do it about Jewish gangsters, because most films center on Italian gangsters, but their being Jewish didn't seem to make much difference in the film. DeNiro and Woods were subdued, and I didn't buy for a second that they actually might care about one another. The female lead and DeNiro had no chemistry. Leone centered more on cinemetography than story, and the little story there was was painfully streched out to almost three and a half hours. Speaking of the cinemetography- sure there were some very nice images, but basically they were going for the same look as "The Godfather" only maybe with a little more of a golden nostolgia feel for it. I don't mind slowly paced films, but that deliberate pace must be used to draw the viewer into the film, the pace of "Once Upon a Time," just makes the viewer wish that he had commited suicide instead of having to watch it. I'm not a big gangster film fan, but this one ranks low among gangster films. It lacks the visual pop of "Goodfella's," the emotional intensity of "Miller's Crossing," the cultural/historic significance of "Godfather," the moralistic elements of "Angels with Dirty Faces," or the acting prowess of "White Heat." And it is certainly a lot more boring than any of the above films listed.
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