A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
While the three hour and forty-nine minute version is touted as the definite version of the film, Sergio Leone wanted the film to have a running time of four hours and ten minutes to four hours and thirty-four minutes. The three hour and forty-nine minute version left out forty-five minutes that Leone considered essential on the cutting room floor, including: further explanation of the mob and labor relationship, David "Noodles" Aaronson meeting Carol (Tuesday Weld) in 1968, and a good deal of footage featuring Noodles' relationship with Eve (Darlanne Fluegel). See more »
In the scene at Miami Beach which takes place in 1933, beach goers are seen playing with beach balls. The beach ball was not invented until 1938. See more »
[In 1933, two goons rudely question a young woman]
Where is he? Where's he hiding?
I don't know... I've been looking for him since yesterday.
[second goon slaps her harshly; she falls onto the bed]
I'm gonna ask you for the last time: Where is he?
I don't know... What are you gonna do to him?
[Two shots are heard]
[to his partner]
Stay here in case that rat shows up...
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When the 'complete' film was released on laser disc in America, it still had to be trimmed slightly from 229 minutes to 227 minutes, to secure an 'R' rating. Cuts were made to the two rape scenes, and some of the violence at the beginning. The final flashback montage of Max and Noodles as children was also eliminated from their final scene. See more »
Over the years, this film has gained a near-mythological status: how Sergio Leone turned down 'The Godfather' to make this opus, his 16 years trying to get it made, the film's 'butchering' upon its North American release in 1984, Leone's 'broken heart' that led to his death just a few years later, etc. So, after reading a glowing review about a new, uncut version on DVD, I couldn't wait to rent the film.
I wish I could say it was a masterpiece. Clunky dialogue, lousy acting, cardboard characters, a pompous, TV mini-series feel to the story, unbelievable situations all conspire to sink this movie under its own weight.
One of the problems seems to be that the script was written by Italians and then somehow translated into English by an American writer who must have a tin ear for dialogue. The actors, all of whom have been excellent elsewhere, are left to look foolish uttering the stuff. The only one who barely gets by is De Niro - we realize what a great actor he is since he makes the most what he's given, which ain't much. Poor James Woods, who has appointed himself the chief cheerleader for this film, leaves little scenery unchewed. The rest of the cast go from mediocre to embarrassing - even the lovely and talented Jennifer Connelly, who appears as the love interest as a child, does not escape unscathed.
Having said all that, I seem to be in the minority about this film. So go ahead and see it, if you must. Just don't mention it in the same breath as 'The Godfather'.
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