The film opens on a chilling montage worthy of Kubrick, completely without dialogue, showing the previous lives of the various passengers cut between shots of the carnage in the aftermath of the crash. There are no special effects showing the actual crash, but this lack of extraneous detail is crucial to the film's total leanness. There are other similarly beautiful visual passages throughout the film, and very little actual dialogue. Director Greene's visual sense seems remarkably honed for his first and only feature film. And his final long tracking shot is brilliant in its simultaneous portrayal of adjulation and despair. The very title of the film is distressing, as its nonsensical nature becomes apparent once you have seen the film.
This movie is a total lost gem; it is too bad that it has probably disappeared by now from studio film libraries and will be completely forgotten in several years. I highly recommend tracking down and holding onto one of the few videotape copies still floating around. It is easily one of the most disheartening movies you will ever see, but then again, great works of tragedy are always disheartening. You will probably either love it or hate it, but you will definitely not forget having seen it.
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