Longing for freedom, the lowly bureaucrat of the Ministry of Truth, Winston Smith, summons up the courage to write down his unspoken desires in his little secret diary. Serving silently at the pleasure of the grim, autocratic hyper-state of Oceania, Smith knows that the English Socialist Party's supreme leader, the omnipotent Big Brother, watches his every move, condemning the already terrified people into a life of slavery. Under those dire circumstances--as the totalitarian government's suffocating stranglehold tightens more and more--Julia, another equally seditious party member, crosses paths with Winston, and a dangerous clandestine affair begins. Now, there's no turning back, and, sooner or later, the illicit couple will have to pay for its hideous crimes against the dictatorial state. What makes a good citizen?Written by
The helicopter used by the police to peek into people's windows is a Bell 47 light helicopter that was widely used by the U.S. during the Korean war. See more »
Winston reads a newspaper article titled "INSOC IN RELATION TO CHESS BROTHER WINS." The party name should be spelled "INGSOC." See more »
This is our land. A land of peace and of plenty. A land of harmony and hope. This is our land. Oceania. These are our people. The workers, the strivers, the builders. These are our people. The builders of our world, struggling, fighting, bleeding, dying. On the streets of our cities and on the far-flung battlefields. Fighting against the mutilation of our hopes and dreams. Who are they?
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After the end credits finish and the screen goes black, the monotonous end-title music keeps droning on for nine more minutes. See more »
From director of photography Roger Deakins: "Be careful which '1984' you watch as some do not have the 'Bleach Bypass' effect built in. As the effect was done on all the prints, the IP and subsequent INs do not reflect the intended look of the film." See more »
I really have only one thing to comment on. Most of the other reviewers have stated just about everything about this wonderfully gritty, dark, foreboding movie that still remains an eerie parallel to our lives today, especially in the last 2 years...
But I'm confused by the number of people who have commented that claim to be put off by "the gratuitous nudity" by the two characters of Winston and Julia. Given the fact that everything in this society--waking up, food, habits, desires, work, workers, even the underwear and overalls--is so uniform, has it occurred to viewers that being nude was the only link to identity that these characters had? Everything in their world depends, thrives on sameness. Without clothes, everyone is unique. The two lovers were already in dire conditions by committing the sin of feeling for another human being, let alone carnally but in the heart. And they had to deceive and pretend and go through the motions of the dutiful cogs in the Big Brother wheel. But their only shared peace and comfort was their sacred time alone, and in love. They had finally found their own identities through loving each other. Their nudity was merely symbolic of that. In that sense, their union and expressions of that union only becomes more fragile, beautiful and honest, in such a heartless, cold, indifferent world.
May that be truly said of us, and all of us...
OK, that out of the way...one of the most gritty, realistic, honest translations ever to grace the screen. Wouldn't have changed a thing. Highly, highly recommended, along with the original 1955 version of "Animal Farm". Perfect double-feature for a somber, thoughtful evening's viewing.
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