It's the first comet to buzz our planet Earth in 65 million years, and everyone seems to be celebrating its imminent arrival. Everyone except Regina Belmont, and her younger sister Samantha, two Valley Girls who care more about fashion trends than celestial phenomena. But upon daybreak, when the girls discover that they are the only residents of Los Angeles whom the comet hasn't vaporized or turned into a zombie, they would do what all Valley Girls do - they go shopping. However, with the help of a friendly truck driver, the girls save Earth and escape from flesh-eating zombies and blood-seeking scientists in hot pursuit.Written by
Kelli Maroney improvised the Uzi line when the weapon jammed for real. Director Thom Eberhardt told the cast to react to any unexpected occurrences in character, since time and budget were tight and they needed to avoid retakes. See more »
In the department store, they start with a double-speaker Toshiba "boom-box". When Sam is apprehended by the store's new "owner", he directs his henchman to "turn off the music" (sic). The boom-box is now a single-speaker, generic tape player/radio when he shoots it. See more »
Since before recorded time, it had swung through the universe in an elliptical orbit so large that its very existence remained a secret of time and space; but now in the last few years of the 20th century, the visitor was returning. The citizens of earth would get an extra Christmas present this year as their planet orbited through the tail of the comet. Scientists predicted a light show of stellar proportions, something not seen on earth for 65 million years, indeed not since the ...
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This is one of my guilty pleasures. A camp, 80s sci-fi caper that's dated but still enjoyable. The opening is wonderful and contrasts with the subdued but somewhat haunting ending. Back in 1984 this would have been even better because it would not have been regarded as camp. Today it seems we can all sneer our postmodern noses at such works but make assertions that its kitsch quality is now rather endearing. Catherine Mary Stewart steals the film with her Ripleyesque action moves and feminine charm, while Zoe Kelli Simon provides a number of dumb blonde comedic moments. The film lags somewhat after the brilliant opening but never loses its heart. The only downside is the fact it seems like a TV film/80s MTV video with its fuzzy camera-work. Watch it with popcorn at home, preferably late at night.
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