The new owner of the Cleveland Indians puts together a purposely horrible team so they'll lose and she can move the team. But when the plot is uncovered, they start winning just to spite her.
Director:
David S. Ward
Stars:
Tom Berenger,
Charlie Sheen,
Corbin Bernsen
Rudy has always been told that he was too small to play college football. But he is determined to overcome the odds and fulfill his dream of playing for Notre Dame.
An unknown middle-aged batter named Roy Hobbs with a mysterious past appears out of nowhere to take a losing 1930s baseball team to the top of the league in this magical sports fantasy. With the aid of a bat cut from a lightning struck tree, Hobbs lives the fame he should have had earlier when, as a rising pitcher, he is inexplicably shot by a young woman.Written by
Keith Loh <loh@sfu.ca>
Inasmuch as the bulk of the story takes place in 1939, the hotel technology must be questioned. Nearly every elevator in the United States prior to 1950 had to have an operator. While it's true that automatic elevators existed in the 1930s, they proliferated slowly, due to objections from organized labor, in the form of strikes by the elevator operators' unions. Thus, fully automatic elevator cars would have been a rarity, even in New York City. See more »
Goofs
At the beginning of one of the games the National Anthem is being sung. Singing at the beginning of baseball games started during World War I, but stopped with the end of the war. It did not begin again until American entered World War II, some three years after the movie takes place. See more »
Quotes
Pop Fisher:
Hobbs. I'm sending you down Hobbs, Class B ball. Tomorrow you go to the Great Lakes Assocaition.
Roy Hobbs:
All right. You make the rules.
Pop Fisher:
That's right, that's right and you ain't been playing by 'em. Don't you remember signing a contract!
Roy Hobbs:
I remember signing a contract, to play ball not to be put to sleep by some two bit carney hypnotist! I won't do that Pop! I can't.
See more »
Whenever "The Natural" is on TV, I stop what I'm doing and watch it. I don't know why, exactly. I have been a baseball fan since I was a little kid and love the tradition. There is no other sport that has as much history. It's because one can isolate moments in time. Situations develop. Every announcer says things like, "Bottom of the third, men on first and third, Turley on the mound, Simpson is up, he's two for four today. The wind is blowing out to right field, etc." We can make words visual. In this wonderful movie, a man wants a piece of that tradition. He makes a horrible mistake along the way to the big leagues, and now is given one last chance. This is mythical. This is not realistic. To criticize it on the basis of its credibility is unfair. Even to compare it to the book is unfair. They are totally different. What one does with a camera should not be compared to the printed page. Malamud did his thing and now Barry Levinson is doing his. The cinematography is without peer. It is magical all the way through. The lighting as Glenn Close stands up in the stands is mesmerizing. This is more Greek myth than baseball story, but it is a baseball story, with the Ruth like gods and the day-to-day players. Roy Hobbs is like all of us in some ways and we love him for his endurance, patience, and drive. Redford brings him to life with that rugged face moving away from lost youth. It's a fine film.
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Whenever "The Natural" is on TV, I stop what I'm doing and watch it. I don't know why, exactly. I have been a baseball fan since I was a little kid and love the tradition. There is no other sport that has as much history. It's because one can isolate moments in time. Situations develop. Every announcer says things like, "Bottom of the third, men on first and third, Turley on the mound, Simpson is up, he's two for four today. The wind is blowing out to right field, etc." We can make words visual. In this wonderful movie, a man wants a piece of that tradition. He makes a horrible mistake along the way to the big leagues, and now is given one last chance. This is mythical. This is not realistic. To criticize it on the basis of its credibility is unfair. Even to compare it to the book is unfair. They are totally different. What one does with a camera should not be compared to the printed page. Malamud did his thing and now Barry Levinson is doing his. The cinematography is without peer. It is magical all the way through. The lighting as Glenn Close stands up in the stands is mesmerizing. This is more Greek myth than baseball story, but it is a baseball story, with the Ruth like gods and the day-to-day players. Roy Hobbs is like all of us in some ways and we love him for his endurance, patience, and drive. Redford brings him to life with that rugged face moving away from lost youth. It's a fine film.