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The Natural (1984)

PG | | Drama, Sport | 11 May 1984 (USA)
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1:03 | Trailer

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An unknown comes seemingly out of nowhere to become a legendary player with almost divine talent.

Director:

Barry Levinson

Writers:

Bernard Malamud (novel), Roger Towne (screenplay) | 1 more credit »
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Popularity
1,067 ( 2,937)
Nominated for 4 Oscars. Another 3 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Robert Redford ... Roy Hobbs
Robert Duvall ... Max Mercy
Glenn Close ... Iris Gaines
Kim Basinger ... Memo Paris
Wilford Brimley ... Pop Fisher
Barbara Hershey ... Harriet Bird
Robert Prosky ... The Judge
Richard Farnsworth ... Red Blow
Joe Don Baker ... The Whammer
John Finnegan ... Sam Simpson
Alan Fudge ... Ed Hobbs
Paul Sullivan Jr. Paul Sullivan Jr. ... Young Roy
Rachel Hall Rachel Hall ... Young Iris
Robert Rich III ... Ted Hobbs
Michael Madsen ... Bump Bailey
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Storyline

An unknown middle-aged batter named Roy Hobbs with a mysterious past appears out of nowhere to take a losing 1930s baseball team to the top of the league in this magical sports fantasy. With the aid of a bat cut from a lightning struck tree, Hobbs lives the fame he should have had earlier when, as a rising pitcher, he is inexplicably shot by a young woman. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Plot Synopsis

Taglines:

From an age of innocence comes a hero for today. See more »

Genres:

Drama | Sport

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

11 May 1984 (USA) See more »

Also Known As:

The Natural See more »

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Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend USA:

$5,088,381, 13 May 1984, Wide Release

Gross USA:

$47,951,979
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Director's Cut)

Sound Mix:

Dolby Stereo

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Inasmuch as the bulk of the story takes place in 1939, the hotel technology must be questioned. Nearly every elevator in the United States prior to 1950 had to have an operator. While it's true that automatic elevators existed in the 1930s, they proliferated slowly, due to objections from organized labor, in the form of strikes by the elevator operators' unions. Thus, fully automatic elevator cars would have been a rarity, even in New York City. See more »

Goofs

At the beginning of one of the games the National Anthem is being sung. Singing at the beginning of baseball games started during World War I, but stopped with the end of the war. It did not begin again until American entered World War II, some three years after the movie takes place. See more »

Quotes

Pop Fisher: Hobbs. I'm sending you down Hobbs, Class B ball. Tomorrow you go to the Great Lakes Assocaition.
Roy Hobbs: All right. You make the rules.
Pop Fisher: That's right, that's right and you ain't been playing by 'em. Don't you remember signing a contract!
Roy Hobbs: I remember signing a contract, to play ball not to be put to sleep by some two bit carney hypnotist! I won't do that Pop! I can't.
See more »

Connections

Referenced in Beverly Hills, 90210: Eddie Waitkus (2000) See more »

Soundtracks

Memo
(uncredited)
Composed and Conducted by Randy Newman
See more »

Frequently Asked Questions

See more »

User Reviews

 
It's for all time; a baseball mythos
23 March 2006 | by HitchcocSee all my reviews

Whenever "The Natural" is on TV, I stop what I'm doing and watch it. I don't know why, exactly. I have been a baseball fan since I was a little kid and love the tradition. There is no other sport that has as much history. It's because one can isolate moments in time. Situations develop. Every announcer says things like, "Bottom of the third, men on first and third, Turley on the mound, Simpson is up, he's two for four today. The wind is blowing out to right field, etc." We can make words visual. In this wonderful movie, a man wants a piece of that tradition. He makes a horrible mistake along the way to the big leagues, and now is given one last chance. This is mythical. This is not realistic. To criticize it on the basis of its credibility is unfair. Even to compare it to the book is unfair. They are totally different. What one does with a camera should not be compared to the printed page. Malamud did his thing and now Barry Levinson is doing his. The cinematography is without peer. It is magical all the way through. The lighting as Glenn Close stands up in the stands is mesmerizing. This is more Greek myth than baseball story, but it is a baseball story, with the Ruth like gods and the day-to-day players. Roy Hobbs is like all of us in some ways and we love him for his endurance, patience, and drive. Redford brings him to life with that rugged face moving away from lost youth. It's a fine film.


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