Moscow on the Hudson (1984) - News Poster

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NYC Weekend Watch: Marcello Mastroianni, The Caan Film Festival, Terry Zwigoff, Immigrants on Film & More

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Film Society of Lincoln Center

“Il Bello Marcello” highlights Italy’s greatest actor and, in turn, its greatest filmmakers.

Stalker continues its run.

Museum of the Moving Image

The Caan Film Festival is underway! Films from Michael Mann, Coppola, Hawks, and more kick it off.

The Cabinet of Dr. Caligari plays on Sunday.

Metrograph

A
See full article at The Film Stage »

X-men: Apocalypse: Much Talked About Mall Deleted Scene Hits The Web!

Prior to the theatrical release of X-Men: Apocalypse, director Bryan Singer talked at length about one of his favorite scenes that ended up on the cutting room floor of this prequel(ish) threequel. In a previous interview with Fandango, Singer stated:

"There was also a significant moment that sadly I had to cut. When they’re moving through the mall and Nightcrawler remarks about the other people that 'they don’t fear us.' And he thinks the mall is this paradise, and that was my homage to Moscow on the Hudson, when Robin Williams came over to America during the height of the Cold War and saw a Bloomingdales and thought it was a temple. But no, it was just an ‘80s mall!"

One of the major consequences of cutting this scene was that it sidelined the character of Jubilee — someone whose role was already marginalized enough, given how
See full article at LRM Online »

The Week in Spandex – X-Men: Apocalypse box office, Wolverine 3 villains, Chris Evans keen on Spider-Man cameo, Joss Whedon open to female Avengers movie, Wesley Snipes on Blade return, Suicide Squad promo artwork, Stephen Amell wants Arrow to go back-to-basics and more

In this edition of The Week in Spandex, we look at X-Men: Apocalypse, X-Force, Wolverine 3, Captain America: Civil War, Spider-Man: Homecoming, Animated Spider-Man, Thor: Ragnarok, Captain Marvel, Black Panther, Blade, Luke Cage, Jessica Jones, Daredevil, Batman v Superman: Dawn of Justice, Batman, The Flash, Arrow, DC’s Legends of Tomorrow and more…

Having opened in the UK and 74 other international markets last week – grossing a $103.3 million opening weekend – X-Men: Apocalypse made its way across the Pond yesterday, where it is going head-to-head with Disney’s Alice Through the Looking Glass on Memorial Day weekend. Apocalypse looks set to comfortably come out on top, and is looking at a domestic opening haul of around $85 million over the four-day weekend, which should put it at around the $250 million mark worldwide by Monday. Be sure to check out our reviews of X-Men: Apocalypse here, here, here and here, along with the Flickering Myth Podcast reviews here and here,
See full article at Flickeringmyth »

Bryan Singer rules out a director’s cut of X-Men: Apocalypse, talks deleted scenes

With X-Men: Apocalypse opening in the States today, director Bryan Singer has been chatting to Fandango about the movie, during which he confirmed that unlike X-Men: Days of Future Past, there will be not additional director’s cut or extended version of his latest foray into the world of the X-Men.

“There will be nothing like the Rogue Cut or anything like that”, Singer told Fandango. “I’m not a big fan of director’s cuts or extended editions, I never have been. In the case of Apocalypse, I removed what would be considered a conventional amount from the movie to protect what we call the collective experience of the feature theatrically. How it feels pace wise and movement wise.”

See Also: Olivia Munn wants Psylocke to join Deadpool in X-Force movie

Singer also touched upon some of the deleted scenes, stating that: “We do have a moment where Jubilee
See full article at Flickeringmyth »

Bryan Singer Rules Out Possible X-Men: Apocalypse Alternate Cut, Eager To Reunite Original Cast

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On the eve of its North American bow, director Bryan Singer has ruled out the chances of releasing an alternate or extended cut of X-Men: Apocalypse in the style of 2014’s Rogue Cut.

Word comes by way of Fandango, where the filmmaker talked all things X-Men ahead of Apocalypse‘s imminent arrival. Of the topics covered, Singer noted that while the eventual Blu-ray/DVD release of the threequel will come packing ample deleted scenes for fans to pour over, don’t go in expecting anything in the vein of Days of Future Past‘s alternate cut.

“There will be nothing like the Rogue Cut or anything like that. I’m not a big fan of director’s cuts or extended editions, I never have been. In the case of Apocalypse, I removed what would be considered a conventional amount from the movie to
See full article at We Got This Covered »

Jubilee Gets Sidelined in 'X-men: Apocalypse,' Expect More From Deleted Scenes

It was only yesterday that we reported that you shouldn't expect anything like a "Rogue Cut" from Bryan Singer's next film, X-men: Apocalypse.

"There will be no alternate cut of this movie," director Bryan Singer told Fandango.

"There will be nothing like the Rogue Cut or anything like that. I'm not a big fan of director's cuts or extended editions, I never have been. In the case of Apocalypse, I removed what would be considered a conventional amount from the movie to protect what we call the collective experience of the feature theatrically. How it feels pace wise and movement wise."

While this fact remains true, that doesn't change the fact that at least one mutant has largely ended up getting relegated to the sidelines of the film. The big victim this time around appears to be Jubilee. While we've seen decent amount of Jubilee in set photos, it
See full article at LRM Online »

Reelin’ In the Years Lands 1000 Hours of Brian Linehan Interviews for Licensing

Although most Americans are unfamiliar with the Canadian talk show host Brian Linehan, the stage, screen and TV artists he interviewed over the course of 25 years is a veritable who’s who of show business. Those subjects range from filmmakers George Cukor and Elia Kazan to Martin Scorsese and Steven Spielberg; from such elusive on-screen performers as Warren Beatty, Barbra Streisand and Russell Crowe to Jane Fonda, Meryl Streep and Leonardo DiCaprio.

Now those 1,000-plus hours of filmed interviews are available to scholars, museums and filmmakers via Reelin’ In the Years Productions — an company known for its exhaustive archives from other talk show personalities like Merv Griffin and David Frost — that recently signed an exclusive representation deal with The Brian Linehan Charitable Foundation.

Proceeds from the licensing of these filmed interviews, many of them from Linehan’s Toronto-based TV show, “City Lights,” which ran from 1973 to 1989, will go back into
See full article at Variety - TV News »

Reelin’ In the Years Lands 1000 Hours of Brian Linehan Interviews for Licensing

Although most Americans are unfamiliar with the Canadian talk show host Brian Linehan, the stage, screen and TV artists he interviewed over the course of 25 years is a veritable who’s who of show business. Those subjects range from filmmakers George Cukor and Elia Kazan to Martin Scorsese and Steven Spielberg; from such elusive on-screen performers as Warren Beatty, Barbra Streisand and Russell Crowe to Jane Fonda, Meryl Streep and Leonardo DiCaprio.

Now those 1,000-plus hours of filmed interviews are available to scholars, museums and filmmakers via Reelin’ In the Years Productions — an company known for its exhaustive archives from other talk show personalities like Merv Griffin and David Frost — that recently signed an exclusive representation deal with The Brian Linehan Charitable Foundation.

Proceeds from the licensing of these filmed interviews, many of them from Linehan’s Toronto-based TV show, “City Lights,” which ran from 1973 to 1989, will go back into
See full article at Variety - Film News »

The Rise and Fall and Rise Again of the Sex Scene

  • Vulture
The Rise and Fall and Rise Again of the Sex Scene
Welcome to Sexpositions, a weeklong Vulture celebration of sex scenes in movies and on TV. I’ve never watched my parents have sex, but I’ve watched other people have sex while I was with my parents. This used to happen at movie theaters all the time. This is because movies used to have something called “sex scenes,” which involved human adults in amorous union. And back when a children’s admission ticket was way cheaper than a babysitter, an impressionable kid might just get dragged along to, say, Moscow on the Hudson, a movie featuring delightful comedian Robin Williams from TV’s Mork and Mindy, and also, around the 15-minute mark, a lengthy, naked (and in hindsight, quite hairy) sex scene. I sat next to my mother, in great spiritual discomfort, while watching that scene in the theater. I remember it to this day with Technicolor clarity.This may be hard to recall,
See full article at Vulture »

The Best of “Movie Poster of the Day,” Part 8

  • MUBI
Above: Italian poster for Confidential Agent (Herman Shumlin, USA, 1945). Artist: Luigi Martinati (1893-1984).

The most popular poster I’ve posted on Tumblr in the past three months—and actually the second most “liked” poster I’ve posted in the three years I’ve been doing this—was this Italian design by the great Luigi Martinati for a lesser known Lauren Bacall vehicle, but one in which the late star was unusually front and center. (You can see more of Bacall’s posters here.)

The rest of the top twenty are a wild variety of old (three for films from the 1920s, no less) and new (two 2014 releases). I was especially pleased to see Dorothea Fischer-Nosbisch’s superb 1967 design for a Festival of Young German Film get such attention. A lot of other design greats are featured: Saul Bass, the Stenberg brothers, Macario Gomez, Karl Oskar Blase and Josef Fenneker. And
See full article at MUBI »

Quentin Tarantino’s New Beverly Cinema Re-Opens In Los Angeles

Quentin Tarantino’s New Beverly Cinema Re-Opens In Los Angeles
Quentin Tarantino officially begins his tenure as film programmer of the New Beverly Cinema tonight when he re-opens the La institution after a monthlong remodeling. On the docket is a Paul Mazursky double feature of Bob & Carol & Ted & Alice and Blume In Love, which kicks off three months of Tarantino-programmed films, as Deadline reported last month. Many of those films, screened on film either on 16mm or 35mm, will come from Tarantino’s personal vaults. Tonight’s Bob & Carol & Ted & Alice print is the best known print out there, according to Tarantino, who was gifted with the newly struck print after his Django Unchained opening.

After floating the beloved New Beverly business for years, Tarantino took over as manager and programmer last month from owner Michael Torgan with a renewed commitment to screening movies only on film. New features and upgrades inside the historic theater include the addition of mechanical masking,
See full article at Deadline Movie News »

Quentin Tarantino’s New Beverly Cinema Reveals Schedule Ahead of Re-Opening

Quentin Tarantino’s New Beverly Cinema Reveals Schedule Ahead of Re-Opening
After closing down in late August for a month-long remodeling, Los Angeles’ New Beverly Cinema, which is owned by Quentin Tarantino, is nearly ready to re-open on Oct. 1 with an eclectic schedule focusing on tributes, rarities and some of the filmmaker’s titles.

Screening on Oct. 1 and 2 are two movies by the late Paul Mazursky, “Bob & Carol & Ted & Alice” and “Blume in Love.” The following week “Pulp Fiction” will play for six nights with “The Professional,” both of which are 20 years old this month.

All movies will be shown in 35mm in line with Tarantino’s new policy to preserve the moviegoing experience, and the theater has upgraded the sound system and installed a 16mm projector. The New Beverly had recently purchased a digital projector, leading to Tarantino’s decision to take over programming from the longtime programmer Michael Torgan, whose family had run the theater for decades.

Many of
See full article at Variety - Film News »

Toronto: Rlj/ Image In $3.5 Mil U.S. Deal For Adam Sandler-Starrer ‘The Cobbler’ By ‘Station Agent’s Tom McCarthy

Exclusive: The Toronto Film Festival deals have taken a little while, but they are certainly piling up. Rlj/Image Entertainment is wrapping up a $3.5 million U.S. rights deal for The Cobbler, the Thomas McCarthy-directed comedy that stars Adam Sandler as a generational cobbler in New York who took over his father’s business and discovers that when he uses his old sewing machines, he becomes the people whose shoes he is repairing. It severely complicates the shoe-fixer’s boring life. The fable also stars Method Man, Dustin Hoffman and Steve Buscemi.

The film was financed by Voltage, and the intention is to open it next year in a multi-platform release strategy that worked well with films from Snowpiercer to Arbitrage. The film doesn’t premiere until Friday, but buyers started lining up after seeing it at a P&I screening on Monday.

The theme of this Toronto has
See full article at Deadline Movie News »

Robin Williams: The 10 Best Performances

It’s taken me a little bit to be able to write this piece, honestly. The death of Robin Williams hit myself and most of the industry harder than a celebrity’s passing usually does. Part of it has to do with the fact that it was a suicide, but more than anything it’s just the loss of such a beacon of happiness and humor. Williams struggled with depression, but he made it his mission in life to bring joy to others. As such, I couldn’t not pay tribute to the man, but I wanted to be able to take a little bit of time and think about his work before doing this article. Below you’ll find Williams’ ten best performances, not counting his genius stand up work, of course. 10. World’s Greatest Dad – An incredibly dark comedy, Williams does some very underrated work in a project
See full article at Hollywoodnews.com »

An emotional 'Ask Drew' looks back at the life and work of the great Robin Williams

  • Hitfix
An emotional 'Ask Drew' looks back at the life and work of the great Robin Williams
"Suicide is a permanent solution to temporary problems." - Robin Williams, "World's Greatest Dad" This is a very emotional "Ask Drew." This is, I would suspect, the closest you're ever going to see to me losing it on camera completely. I guess I shouldn't have been surprised when there was a Robin Williams question, since it's still so fresh and so raw for so many people, but I couldn't have known just how hard it would be to talk about him. I mean, I have stared at the blinking cursor on my blank document page for almost two days now, grappling with one question: how in the hell do you even remotely begin to sum up someone as huge as Robin Williams? We could start from the personal angle. I could tell you about the occasional e-mails I got from him when I was at Ain't It Cool, or the
See full article at Hitfix »

Robin Williams: The Fast and the Funniest

Robin Williams: The Fast and the Funniest
"People over here are going, 'What the hell's he doing now?'" Robin Williams says, halfway through his career-making 1982 stand-up special. Then he unleashes a demonic laugh and gives an order. "Catch up!" That was Robin Williams at his best — a wild-eyed one-man comic rampage, riffing at warp speed about sex and drugs and politics, faster than other human brains could follow. The world spent years trying to catch up to Williams — his motormouth energy seemed inexhaustible. He became such a beloved figure, twinkling and grinning in so many feel-good family flicks,
See full article at Rolling Stone »

A Celebration of Robin Williams: Ten of His Most Memorable Roles

Artists like Robin Williams only come along once in a lifetime, and in addition to being considered one of the greatest standup comedians of all time, the late actor was unparalleled in his ability to emotionally connect with audiences of all ages.

While his family, friends and fans begin the mourning process, let’s take a look at ten of Mr. Williams’ greatest characters throughout his long and successful career.

1. “Mork & Mindy”- Though the role originated in two episodes of “Happy Days,” Robin used Mork as a vehicle to show the world his incredible charisma and endearing charm. Also, he was an alien.

2. “Good Morning Vietnam”- Against the horrific backdrop of the Vietnam War, unorthodox deejay Adrian Cronauer managed to use his wit and rapid-fire delivery to help American troops forget about all the killing and just laugh. Williams again managed to pair his intelligence, humor and heart
See full article at GossipCenter »

The 16 Best Robin Williams Movie Performances

  • Vulture
The 16 Best Robin Williams Movie Performances
For some of us, the tragic death of Robin Williams yesterday brought into sharper relief the darkness that was often lurking at the edges of his work — even some of his most beloved comedies. Sometimes these movies veered into sentiment; sometimes they became classics. (Sometimes they managed to do both.) There have been many remembrances, and it’s true that at times his stand-up and his TV appearances displayed an edge and a raucousness that his film career didn’t always capture. But the fact is that Williams leaves behind a cinematic legacy that we’ll still be talking about many decades from now. Here are 16 of his best performances. Moscow on the Hudson (1984) In the late Paul Mazursky’s lovely comedy about a Soviet saxophonist who defects to New York, Williams isn’t in full wildman mode. Rather, he’s playing a stranger in a strange land, letting the
See full article at Vulture »

Where to stream Robin Williams' essential performances

Where to stream Robin Williams' essential performances
Robin Williams, who died yesterday at age 63, was Peter Pan to some, Mrs. Doubtfire to others, and a beloved actor to many. Fortunately, if you want to revisit his work or see him play his role as an alien on ’70s sitcom Mork and Mindy for the first time, subscription services like Netflix and Hulu Plus offer several of his works for instant streaming.

Much of Williams’ filmography is available for purchase or rental from either iTunes or Amazon, but if you have a subscription to a streaming service, here’s where to find some of his most memorable films.
See full article at EW.com - PopWatch »

R.I.P. Robin Williams (1951 – 2014)

We are very sad to report that Oscar-winning American actor and comedian Robin Williams has passed away yesterday in what California police are describing as an apparent suicide. He was 63.

Born in Chicago, Illinois in 1951, Williams attended the prestigious Julliard School in the 1970s before gaining his breakthrough with guest role as the alien Mork in Happy Days, which led to the popular spin-off Mork & Mindy. In addition to gaining acclaim for his stand-up work, Williams’ film career began to take off in the 1980s, with roles in Popeye, The World According to Garp, Moscow on the Hudson, Good Morning, Vietnam and Dead Poets Society, the latter two providing him with his first Academy Award nominations.

During the 1990s, Williams continued to mix comedic roles with serious work, appearing in the likes of Awakenings, The Fisher King, Toys, Hook, Aladdin, Mrs. Doubtfire, Jumanji, Jack, The Birdcage, Flubber and Good Will Hunting,
See full article at Flickeringmyth »
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