Joe Mulholland, Head of Production at a Hollywood studio, makes a rather fool-hardy promise to a dying friend. He undertakes to make a major movie using the title - if not the content - of ... See full summary »
With the help of a talking freeway billboard, a wacky weatherman tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early 1990s Los Angeles.
Richard E. Grant
When shy Larry Hubbard finds his girlfriend in bed with another man he is forced to begin a new life as single. But since he can't bear being on his own he tries to court Iris who is not however interested in him. Larry begins writing a book on his experience as a single which unexpectedly becomes a best seller. He becomes rich and famous and even his relationship with Iris can begin on a new basis.Written by
Salvatore Santangelo <email@example.com>
Other people here have commented on the unevenness of this movie. What an understatement. I found the first half of the movie funny, poignant, delightful. Then, all of a sudden, the movie becomes an unfunny, painful bore. It's amazing. The contrast between the two halves is so stark, it's hard to believe it's the same movie. I don't ever recall such a split between two halves of a movie. Ever.
And in the second half, there is a scene in bed involving the 'o' word, that is very painfully unfunny and completely inane.
But what do I know.
Two scenes that really stick out in my mind:
1. When the girl says to Steve: "Nice guys don't stay lonely for long" -- so sweet!
2. When Steve realizes he missed out on a golden opportunity to "get lucky" with a pretty woman. That was wickedly funny!
7 of 12 people found this review helpful.
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