The Little Drummer Girl

Having read the intriguing novel beforehand, I had looked forward to a film adaption. At that time I always imagined Andrea McArdle, a young Broadway stage actress and the original "Annie" was not only the right age, but had the look and personality of Charlie as described in the book.

Sadly, the casting of Diane Keaton was just a disaster. A choice the entire production never could overcome. Although a good actress, Keaton was about 15 years too old for the role of an ingénue who becomes the obsession of a terrorist, and her pronounced New York accent was too much at times.

The movie follows the novel very closely, perhaps too closely for it's own good. It should nave been about 20 minutes shorter. Still, even at it's full length, the screenplay misses the most interesting moment in the book, where the reader is left to ponder if Charlie has not only infiltrated, but, truly joined the "movement" and was ready to kill for the terrorist group.

The actual production seemed a bit on the cheap side. It appears the director wanted a look of reality, but by 80s standards that meant filming on location using real streets with little local activity to get in the way.

The rest of the cast, except for Klaus Kinski's star turn is totally forgettable.

Finally, over the years I've come to realize, The Little Drummer Girl was a story that was best served on the written page. Too much of the story is internalized in Charlie's mind, and that personal struggle is not easily translated to film.

Diane Keaton stars as an actress who falls for a Palestinian terrorist, only to discover that he's really a Mosad agent posing as a Palestinian terrorist. They want to recruit her to pose as the girlfriend of the real terrorist in order to trap his brother, who is a bigger and badder terrorist. One of a slew of mediocre John le Carré adaptations. The film takes an excessively complex and elliptical approach to unveiling the plot, leaving to viewer puzzled for at least an hour of it's 2 hour running time. Keaton feels miscast, but Klaus Kinski adds quite a bit of life to the proceedings as the main Mosad agent. An extremely young Bill Nighy pops in and out as Keaton's friend.

An English actress, who is widely known for being adherent of Palestinian, is enlisted by the Israelis to catch one of the most dangerous Palestinian terrorists.

A best-selling spy novel (allegedly based on Vanessa Redgrave) from the pen of an exceptionally complex and downbeat author turns to be a superficially very slick, fast-paced and action-packed but vaguely unsatisfactory, long-winded thriller that cheats on both faithful adaptation and real political background. Worth watching for its technical flair and professional handling all round, the content has lost somewhere among the bloodshed.

This film is detailed and occasionally harsh, but told by a master storyteller. the director has modified the John LeCarre novel somewhat, but weaves a strong story. It's a little hard to follow if you don't know much about the world of Israeli/Palestinian conflict, but provides quite an education by its end.

It begins with the assassination (bombing) of an Israeli diplomat and family and then jumps to an American stage actress, Charlie (Diane Keaton), who's currently living in Britain. She is ideologically a supporter of the Palestinian cause. She has a problem with falling in love easily and sympathizing with her lover. You begin to see the wheels turning in Israeli intelligence as they research and try to react to this most recent terrorist bombing.

They skillfully recruit/seduce her by pretending to support the Palestinian movement. To be effective in their scheme, they need someone authentic. They try to get under her skin and into her personal psyche (why she is an actress, pain in her life). Klaus Kinski is superb as the head of the Israeli intelligence effort.

After feeling more confident, they put her work to infiltrate the Palestinian-backed terrorist camps to ultimately get to the almost impossible to find bomber Khalil. This involves serious physical/military training. She excels and is given more and more trusted tasks as the story progresses. The story takes many twists and is very detailed and realistic in it's portrayal of both sides. It gets a little heavy, but is fascinating to watch unfold even a second time.

I give it a solid recommendation.

The director is weak, the original story is great. What can I say, I'm an avid le Carre fan! To paraphrase Sidney Bruhl (Michael Caine in Deathrap, 1982) it's a story so good a bad director can't f**k it up. Check out the other comments, I agree with them. Klaus Kinski is great, he chews the scenery, and the supporting cast are all mini-gems. I was trying to decide if I liked Yorgo Voyagis, and I do. He may be too still for some people, but I believe Diane when she falls in love with him. And he has haunted eyes when he has to do bad things which are necessary for the Cause. Diane Keaton is so miscast. She's too old, she can't be an American doing St. Joan in England! She's good, but she can't be Charlie, she just can't. Maybe Helena Bonham-Carter, or Vanessa Redgrave when she was young, oh heck, there must be hundreds of english actresses slavering for this role at that time.

Nevertheless, I love the movie despite Diane Keaton (she does a good job, it's just I can't buy her in the role!).