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A Palestinian bomber has killed an Israeli diplomat and his family and the Israeli plot to neutralise him becomes convoluted as they select an American Actress (Charlie) to impersonate the Bomber's brother's girlfriend after the Israeli's capture and kill the brother. Charlie is placed into a world where she begins being an actress, then becomes a spy, then is trained by the Palestinians as a guerrilla and finally is sent to deliver a bomb. She is chronically confused by how far she is really supposed to go in her impersonations and how much of herself she must give up. From the book by John Le CarreWritten by
John Vogel <email@example.com>
Klaus Kinski shines and is worth price of admission alone.
The director is weak, the original story is great. What can I say, I'm an avid le Carre fan! To paraphrase Sidney Bruhl (Michael Caine in Deathrap, 1982) it's a story so good a bad director can't f**k it up. Check out the other comments, I agree with them. Klaus Kinski is great, he chews the scenery, and the supporting cast are all mini-gems. I was trying to decide if I liked Yorgo Voyagis, and I do. He may be too still for some people, but I believe Diane when she falls in love with him. And he has haunted eyes when he has to do bad things which are necessary for the Cause. Diane Keaton is so miscast. She's too old, she can't be an American doing St. Joan in England! She's good, but she can't be Charlie, she just can't. Maybe Helena Bonham-Carter, or Vanessa Redgrave when she was young, oh heck, there must be hundreds of english actresses slavering for this role at that time.
Nevertheless, I love the movie despite Diane Keaton (she does a good job, it's just I can't buy her in the role!).
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