Sydney Schanberg is a New York Times journalist covering the civil war in Cambodia. Together with the local journalist Dith Pran, they cover some of the tragedy and madness of the war. When the American forces leave, Dith Pran sends his family with them, but stays behind himself to help Schanberg cover the event. As an American, Schanberg won't have any trouble leaving the country, but the situation is different for Pran; he's a local, and the Khmer Rouge are moving in.Written by
Murray Chapman <firstname.lastname@example.org>
The real Dith Pran was born on September 27, 1942 at Siem Reap, Cambodia, and died of pancreatic cancer on March, 30, 2008 in New Jersey, USA. He was 65. See more »
When Dith Pran is in the French embassy, he is wearing his watch which he previously gave to a Khmer soldier in order to be taken with the American photographers. See more »
Cambodia. To many westerners it seemed a paradise. Another world, a secret world. But the war in neighboring Vietnam burst its borders, and the fighting soon spread to neutral Cambodia. In 1973 I went to cover this side-show struggle as a foreign correspondent of the New York Times. It was there, in the war-torn country side amidst the fighting between government troops and the Khmer Rouge guerrillas, that I met my guide and interpreter, Dith Pran, a man who was to change my life ...
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Hard to say, but I believe when it comes to the war genre, The Killing Fields manages to edge out even Saving Private Ryan, and without a doubt, there's no better war film out there that's done a better job of capturing the realistic details and emotional loss of the time period (that being, the 70's in Cambodia/Vietnam).
Thus, I've always considered it a little odd that no one I know has even heard of this film. When lists of the greatest war films are decided, I don't believe I've ever seen this film crack any list. And the reason is simple: The Killing Fields is often ignored because it doesn't come from a soldier's point of view, and neither does it feature any adrenaline-pumping battle sequences. The fact that a strong portion of the film (about 2/5's) comes entirely from a Cambodian man's viewpoint might throw off a few viewers here and there. And yet, the film does just as fine a job as any anti-war film in creating a frightenining, chaotic world.
The performances all around superb without exception. Haing S. Ngor, who was tragically killed a few years ago, delivers a riveting, emotionally wrenching turn as the guide who is trapped in Cambodia and forced to fight for his life. He deservingly won the Oscar, though it's a shame he was snubbed for the best actor award. Inarguably, he's the film's central character and he also has more screen time than top-billed Sam Waterston. Despite my complaint on that matter, Waterston is also excellent as the journalist with a guilty conscience.
The Killing Fields is a suspenseful and exhilarating experience, a journey through an apocalyptic landscape that features one shocking image after another. Watch, and you'll see why the film is so acclaimed.
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