On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.
A high-school girl named Makoto acquires the power to travel back in time, and decides to use it for her own personal benefits. Little does she know that she is affecting the lives of others just as much as she is her own.
An animated fantasy-adventure. Set one thousand years from now, the Earth is ravaged by pollution and war. In the Valley of the Wind lives Nausicaä, Princess of her people. Their land borders on a toxic jungle, filled with dangerous over-sized insects. Meanwhile, two nearby nations are bitterly engaged in a war and the Valley of the Wind is stuck in the middle.Written by
When Nausicaa is underneath the toxic jungle, and she goes under a hole through which the sand passes, Teto disappear from her shoulder, and then in the next shot, he reappears on her. See more »
[about Kushana's arm]
An insect did that?
Yes, and whatever lucky man becomes my husband shall see far worse than that.
See more »
As the credits roll we see life returning to normal in the valley: Kushana, Kurotowa and the Tolmekian fleet leave peacefully, after Nausicaä has unheard words for Kushana. The denizens of the Valley of the Wind replant trees in the burned-down forest. Lord Yupa and Asbel ride Yupa's beasts to the Toxic Jungle and explore it. When the text "The End" appears on screen we see Nausicaa's discarded helmet in the forest, alongside a green, non-Toxic Jungle sapling. See more »
Released in the US and Europe in 1985 as "Warriors of the Wind". This version removed nearly 25 minutes of footage (including the entire opening credits sequence, much of Nausicaa exploring the toxic jungle, Yupa and Nausicaa's discussion in her laboratory, flashbacks of young Nausicaa defending the baby Ohmu, Asbel and Nausicaa's dialogue about the nature of the poisonous forest, several sequences leading up to the God Soldier, and the entirety of the ending credits montage save for the very last shot of Nausicaa's hat). In addition, character names were changed and most of the dialogue was completely rewritten with no regard for the film's plot. See more »
loyalty, bravery, and adventure after an apocalypse
This was the film which introduced me (and many others in the 1980s) to Miyazake, and even in the form of a poor quality VHS on an ordinary TV, it was amazing. By 1984 Miyazake was already well known in Japan for his anime work in film, TV, and for the comic strip that this film was based upon.
In this early full length film he really got to spread his wings. There are fantastic aerial sequences like the jet-glider evading the flying snakes, which (this predates computed 3D, and aerial sequences are present in most of his work) are just a tour-de-force of imagination and geometry. And yet this is a world that feels very organic, not geometric, with a cast of characters drawn in a unique cross between hobo, samurai, and pirate - totally blending in to an imaginary post apocalyptic world where humans scratch out a precarious life in villages hidden in the few green valleys left in a world of desert, where the only remaining resources are wind, sunlight, and humans.
But it is also a world of enormous dangers, including airborne bandits and the strange, mutated creatures that have evolved to control the barren and scarred earth. When our heroine's valley home is attacked by raiders, she embarks on an adventure against them that will lead her, and some unlikely allies found along the way, to an eventual confrontation combining warring armies of bandits, ancient machines of infernal destruction, and the implacable, mysterious, threatening beasts which roam the badlands. The pace is swashbuckling - if this were a book, it would be one you could not stop reading.
It has the feel of the original comic books, but plays out wonderfully on the screen - you don't need to know the comics. The style is very unique. Even though it is very stylized (no photorealism here), you immediately get the feeling of the world and the characters. The story works for children of all ages (mine both first saw this before they were 6, and have memorized it long since), and combined with the wonderful visuals it is a treat for adults too. As a genre I would classify it as soft (no attempt at scientific correctness) sci-fi rather than fantasy, though some might think it more a work of fantasy. It is fascinating partly because its roots in style and action are unexpected for a western viewer. Japanese manga and stories had evolved in their own way, and although this is early Miyazake, it is already a product of that mature and distinct art form.
As always with Miyazake - if you haven't seen his work, well you haven't seen anything like it, and it is time you did.
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