On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.
A high-school girl named Makoto acquires the power to travel back in time, and decides to use it for her own personal benefits. Little does she know that she is affecting the lives of others just as much as she is her own.
An animated fantasy-adventure. Set one thousand years from now, the Earth is ravaged by pollution and war. In the Valley of the Wind lives Nausicaä, Princess of her people. Their land borders on a toxic jungle, filled with dangerous over-sized insects. Meanwhile, two nearby nations are bitterly engaged in a war and the Valley of the Wind is stuck in the middle.Written by
Two hundred sixty-three colors were used in this movie. See more »
During the invasion of The Valley of the Wind one of the large carrier planes is seen moving backwards. See more »
[about Kushana's arm]
An insect did that?
Yes, and whatever lucky man becomes my husband shall see far worse than that.
See more »
As the credits roll we see life returning to normal in the valley: Kushana, Kurotowa and the Tolmekian fleet leave peacefully, after Nausicaä has unheard words for Kushana. The denizens of the Valley of the Wind replant trees in the burned-down forest. Lord Yupa and Asbel ride Yupa's beasts to the Toxic Jungle and explore it. When the text "The End" appears on screen we see Nausicaa's discarded helmet in the forest, alongside a green, non-Toxic Jungle sapling. See more »
Released in the US and Europe in 1985 as "Warriors of the Wind". This version removed nearly 25 minutes of footage (including the entire opening credits sequence, much of Nausicaa exploring the toxic jungle, Yupa and Nausicaa's discussion in her laboratory, flashbacks of young Nausicaa defending the baby Ohmu, Asbel and Nausicaa's dialogue about the nature of the poisonous forest, several sequences leading up to the God Soldier, and the entirety of the ending credits montage save for the very last shot of Nausicaa's hat). In addition, character names were changed and most of the dialogue was completely rewritten with no regard for the film's plot. See more »
Director Hayao Miyazaki won a place in my heart after I saw his 2001 film Spirited Away. I'm in no position to claim to be an expert on Miyazaki (I've only seen three of his films), nor am I really a big fan of Japanese animation; but I can safely say that Nausicaä of the Valley of the Wind is one of the very best animated films I have ever seen. The beauty of the animation is stunning, with its close attention to detail--every frame is constructed as a work of art--and the story is enthralling. As with other Miyazaki films, the majority of characters are much more three-dimensional that you typically get in Western animated features, and nearly all of them aren't exactly what they seem to be.
Nausicaä, which is based on Miyazaki's gargantuan Manga series, is set in the distant future, after fires destroyed much of the earth. The world is being consumed by the Sea of Decay, a toxic forest that spreads through airborne spores and is protected by giant insects called ohmu. The Valley of the Wind is one of the last pure places on earth, and its Princess, Nausicaä, is a strong-willed yet free-spirited young woman seeking to solve the mystery of the Sea of Decay. A nearby nation, which claims to have harnessed the power that allowed humans to rule the earth a thousand years before, takes over after a plane carrying a mysterious living cargo crashes in the valley. What follows in the film is a struggle, not of good versus evil, but of man versus nature. The story is complex, as is its message, and Miyazaki has ingeniously spun deep complexities into the animated characters: what look like foes may not be, and what look like friends may be a bit more dangerous.
The animation is colorful, sweeping, expansive, and beautiful, as are the plot and characters. There is an immediacy to the story that makes a big emotional impact and makes us question how we handle our position in nature. As one of the characters in the film asks, have humans become but a tribe destined to be swallowed by the Sea of Decay? It is ultimately a film about compassion in the face of violence and war, which is what makes it so different from Western features.
Disney's recent DVD release is excellent. The film can be watched either in the original Japanese audio or Pixar's dub with Patrick Stewart and Uma Thurman, and there are separate subtitles for each language track--a literal one (hallelujah!) for the Japanese track, and a more closed-captions style set for the English track. The film is so stunning in the Japanese that I have never considered watching the dub, though a fellow film buff has said that it is "not so bad." After this film was released in the US in the 1980s in a completely mangled version called Warriors of the Wind, Miyazaki suspended all US rights of all his other films until the distributor would honor the stipulation that they be released without any editing. The fact that Disney, which is known for watering down nearly everything it touches, has done this with such a non-Western-style movie is amazing.
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