Daniel and his mother move from New Jersey to California. She has a wonderful new job, but Daniel quickly discovers that a dark haired Italian boy with a Jersey accent doesn't fit into the blond surfer crowd. Daniel manages to talk his way out of some fights, but he is finally cornered by several who belong to the same karate school. As Daniel is passing out from the beating he sees Miyagi, the elderly gardener leaps into the fray and save him by outfighting half a dozen teenagers. Miyagi and Daniel soon find out the real motivator behind the boys' violent attitude in the form of their karate teacher. Miyagi promises to teach Daniel karate and arranges a fight at the all-valley tournament some months off. When his training begins, Daniel doesn't understand what he is being shown. Miyagi seems more interested in having Daniel paint fences and wax cars than teaching him Karate.Written by
John Vogel <firstname.lastname@example.org>
From the time Daniel and Lucille arrive to move into the apartment complex, Daniel goes to the beach party, staying until after dark. After presumably going home after his first encounter with Johnny, he rides his bike to school the next morning. Within that limited time span, it's not really clear when Daniel would have been registered for school, especially since Lucille did not accompany him to his first day. See more »
Karate come from China, sixteenth century, called te, "hand." Hundred year later, Miyagi ancestor bring to Okinawa, call *kara*-te, "empty hand."
I thought it came from Buddhist temples and stuff like that.
You too much TV.
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The late-2000's/early 2010's AMC broadcasts in the US slowed down the film's audio pitch and speed at 4% (excluding the ending sequence, which remained normal-pitched). However, the entire film retains its original audio pitch and speed on current AMC broadcasts. See more »
Written by Geoffrey & Sam Rose
Produced by Geoffrey Rose, Sam Rose and Richie Wise
Performed by Matches See more »
History and time give this movie a different feel
Done by the same director as Rocky, this unusual "feel good" movie became a hit in 1984 and generated two sequels before the mania died and the franchise imploded.
I remember the phenomenon from the 80s yet as a "prolific reviewer" for the IMDb now (which, for buffs, is not the same thing as a "Voracious Eater" from the Claymore series) I now see the film differently.
I see a very competently done film that is literally lifted off the ground and carried to the finish line by the extraordinary one-of-a-kind performance from a (then) 50 year old Pat Morita, an actor who essentially spent his entire career doing "asian walkons" and offers us only this one role as a chance to see what he actually could do. Given half a chance.
Macchio and Shue were competent (the former had some momentum from Happy Days/Laverne and Shirley and the latter was beginning a short career as a type of "brat pack" teenage star) but it was Morita who owned the film and kept your interest.
Unfortunately the historical record even on the IMDb does not reflect any of this. Shue actually won an award for a completely forgettable part and Morita not only did not win anything for this film but the only nominations he received were in the "supporting role" category. This is clear "color blindness" on the part of Hollywood. He has almost as much screen time as Macchio (I counted) but because his career was merely bit parts before (and after) this was the prevailing mindset. The film would have failed without him.
As a footnote, I was not able to identify precisely why he was cast in the role, but historically Okinawa has indeed been associated with its own unique brand of martial arts and, in the martial arts world, short stocky older men have long been acknowledged as champions even though in the films of our present era someone of Morita's age or body-type would never even be considered for such a part.
The two sequels were much weaker but the demand for them was great and, when there is money on the table, Hollywood will always oblige.
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