A boy and his mother move to California for a new job. He struggles to fit in, as a group of karate students starts to bully him for dating a rich girl from their clique. It's up to the Japanese landlord, Miyagi, to teach him karate.
Daniel accompanies his mentor, Mr. Miyagi, to Miyagi's childhood home in Okinawa. Miyagi visits his dying father and confronts his old rival, while Daniel falls in love and inadvertently makes a new rival of his own.
The scientist father of a teenage girl and boy accidentally shrinks his and two other neighborhood teens to the size of insects. Now the teens must fight diminutive dangers as the father searches for them.
Daniel and his mother move from New Jersey to California. She has a wonderful new job, but Daniel quickly discovers that a dark haired Italian boy with a Jersey accent doesn't fit into the blond surfer crowd. Daniel manages to talk his way out of some fights, but he is finally cornered by several who belong to the same karate school. As Daniel is passing out from the beating he sees Miyagi, the elderly gardener leaps into the fray and save him by outfighting half a dozen teenagers. Miyagi and Daniel soon find out the real motivator behind the boys' violent attitude in the form of their karate teacher. Miyagi promises to teach Daniel karate and arranges a fight at the all-valley tournament some months off. When his training begins, Daniel doesn't understand what he is being shown. Miyagi seems more interested in having Daniel paint fences and wax cars than teaching him Karate.Written by
John Vogel <firstname.lastname@example.org>
During the Halloween Dance, Bobby and Tommy both have their hair coming out of the caps of their skeleton costumes. Tommy can be seen at the right dancing with a bunny with his hair out of his costume. Bobby has his hair showing when he goes into the bathroom to find Johnny. Before Johnny runs out of the bathroom you and see that they are fixing their caps to show no hair coming out. When they run after Daniel and fall on the floor Tommy's hair is out of his costume again. After running and jumping a fence to catch up with Daniel their hair is back behind their costumes. See more »
We do not train to be merciful here. Mercy is for the weak. Here, in the streets, in competition: A man confronts you, he is the enemy. An enemy deserves no mercy.
[seeing that Johnny is distracted]
What is the problem Mr. Lawrence?
See more »
Also cut from AMC airings are the scenes in which Daniel talks to a history teacher, the bathroom footage of Johnny rolling a joint (though the action is still referenced), and a frame in the scene where Miyagi rescues Daniel from the Cobra Kai guys (the frame of Miyagi kicking one of the guys in the crotch area is removed.) See more »
Done by the same director as Rocky, this unusual "feel good" movie became a hit in 1984 and generated two sequels before the mania died and the franchise imploded.
I remember the phenomenon from the 80s yet as a "prolific reviewer" for the IMDb now (which, for buffs, is not the same thing as a "Voracious Eater" from the Claymore series) I now see the film differently.
I see a very competently done film that is literally lifted off the ground and carried to the finish line by the extraordinary one-of-a-kind performance from a (then) 50 year old Pat Morita, an actor who essentially spent his entire career doing "asian walkons" and offers us only this one role as a chance to see what he actually could do. Given half a chance.
Macchio and Shue were competent (the former had some momentum from Happy Days/Laverne and Shirley and the latter was beginning a short career as a type of "brat pack" teenage star) but it was Morita who owned the film and kept your interest.
Unfortunately the historical record even on the IMDb does not reflect any of this. Shue actually won an award for a completely forgettable part and Morita not only did not win anything for this film but the only nominations he received were in the "supporting role" category. This is clear "color blindness" on the part of Hollywood. He has almost as much screen time as Macchio (I counted) but because his career was merely bit parts before (and after) this was the prevailing mindset. The film would have failed without him.
As a footnote, I was not able to identify precisely why he was cast in the role, but historically Okinawa has indeed been associated with its own unique brand of martial arts and, in the martial arts world, short stocky older men have long been acknowledged as champions even though in the films of our present era someone of Morita's age or body-type would never even be considered for such a part.
The two sequels were much weaker but the demand for them was great and, when there is money on the table, Hollywood will always oblige.
23 of 29 people found this review helpful.
Was this review helpful to you?
| Report this