A morgue attendant is talked into running a brothel at his workplace after a deceased pimp is sent there. However, the pimp's killers don't look too kindly on this new 'business', nor does the morgue's owner.
An ice hockey star is accosted by a youth gang who attempt to rob him; after he chases them off he catches the youngest member and gives him a ride home, where he meets the boy's mother. A ... See full summary »
Maria Conchita Alonso,
Four mental patients on a field trip in New York City must save their caring chaperon, who ends up being taken to a hospital in a coma after accidentally witnessing a murder, before the killers can find him and finish the job.
Cameo: Schlitz Malt Liquor Bull: Clyde. See more »
When Johnny is trying to get into the club after being dropped off by Lil, he ducks behind a white car. The poster on the cinema behind him is playing "Jack London's, Call Of The Wild" with Clarke Gable. This movie was released in 1935, where as the scene is set in the very early 30's See more »
After the opening credits, you see "1935" on the screen. A car in the near lane of the street drives behind it. Then, another car (in the far lane) runs into the number sitting on the road, and smashes it to pieces. See more »
Two people at the beginning of their film careers; director Amy Heckerling (who two years earlier directed the Cameron Crow penned "Fast Times at Ridgemont High") and Michael Keaton (in only his second leading role, after "Mr Mom" and a support role in his breakthrough film "Nightshift") come together with "Johnny Dangerously" to bring us a flighty, colourful and madcap send-up of gangster films of the 1930s. Johnny Kelly as a kid turned to crime (despite it would break his mother's heart if she knew), but in the order to pay for her medical bills he didn't see any other way since they were quite poor. So the years have past and he has become attached to it and a big player in the mob, where he would be known as Johnny Dangerously. The spoof might be hit and miss, but it always remains agreeably light-weight and Keaton just had a knack for comic timing. The wilily unrestrained material (stormed up by four writers -- well there you go) creates one gag after another, either visually, verbally or simply combining the two in a very cartoon-like manner. It really does have that old-fashion screwball mentality, but still some wit behind it and the conviction for fast moving, running gags. The silly dialogues are amusingly snappy (especially the lines from Dimitri; murdering the English language "This is fargan war!"), irony laced but with a dry sense. So many cracker lines fill the feature. Heckerling zesty direction goes hand-in-hand with the cheerful style and it's perfectly apt with the golden age period with its set designs, locations and costume work. Weird Al Yankovic chips in with the spiritedly illustrative title song, and the music score is a flavoursome effort of the era. Charmingly vibrant performances lend well with the likes of Peter Boyle, Griffin Dunne, Joe Piscopo, Danny Deviot (who's good fun), Maureen Stapleton (she's absolutely great!), Dom Deluise, Richard Dimitri and the sprightly redheaded siren Marilu Henner. Dom DeLuise and Ray Walston turn up in small comic cameos too. Pleasurably over-the-top entertainment.
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