An anthropologist who is part of an arctic exploration team discovers the body of a prehistoric Neanderthal man who is subsequently resuscitated. The researcher must then decide what to do with the prehistoric man and he finds himself defending the man from those that want to dissect him in the name of science.Written by
K. Rose <firstname.lastname@example.org>
Fred Schepisi was fired by the studio and Producer Daniel Melnick, after Schepisi personally agreed to shoot "the original ending" from the original script as intended. However, Schepisi did not do this, and was immediately let go. See more »
When "Charlie" awakens in the vivarium, he goes about life in general until he "catches" the water filter hose in the stream/pond. But as the scene continues, there is no way that he wouldn't notice the man-made construction of the glass enclosure or the fact that he cannot see the whole sky. Only when he roams hysterically around the vivarium does it become apparent. See more »
I, who was born to die, shall live. That the world of animals, and the world of men, may come together, I shall live. - Inuit Legend
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(opening quote) I, who was born to die Shall live. That the world of animals And the world of men May come together, I shall live. -- Inuit Legend See more »
If you want to know how to shoot a masterpiece, then watch this film. Not only is it well shot, but it's also has a lot of integrity for the material being shot.
As other reviews have mentioned this is a film about bringing a species of man from our past, into the present day world. How much animal is in us, as homo sapien sapiens, and how much humanity is in our distant cousins the Neanderthals. And if you watch this film, and watch the interests of each party, you will truly begin to wonder who has more humanity within themselves.
The film making style takes some liberties with presentation, and we get a sense that the editing glosses over some of the obvious clues that one of the main characters should pick up on in terms of his circumstances. But, if you can over look that, and accept the fact that the subject of the film is perhaps a bit dim witted in addition to being from a more primitive era in Earth's history, then you should be able to appreciate the "plausibility" of the film's premise.
There were arguable two great eras in film making. The 30s and 40s as one era, and the 80s, with spikes of greatness sprinkled in the 60s and 70s. And "Iceman" comes from that era in the 1980s when Hollywood was rediscovering itself after Lucas and Spielberg had reminded the dream factory of what films were supposed to be about. "Iceman" is a creation of that re-genesis, and in terms of a style and presentation of story, it truly shines.
If I had a complaint, and I'm not sure that I do, it's that I'm curious why the story necessitated a predominantly interior motif, as opposed to letting the story take place on location in a non-arctic environment. The film is rich as it is, but letting it take place elsewhere might have added a dimension to the film by allowing story possibilities. One wonders about these things.
The cast is perfect along with their performances, the location has a kind of stark magnificence (as a lot of sculptured ice and snow fields tend to have), and the lensing and lighting are both without flaw. My only regret is for the ending of the story itself. It is a tear-jerker.
The subject may not interest a lot of people, so buyer beware, but if you like excellent films, then do give Iceman a chance. At the time of this writing it is only currently available on regular 4:3 DVD format. Hopefully it'll see a bluray release someday.
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