Following a ghost invasion of Manhattan, paranormal enthusiasts Erin Gilbert and Abby Yates, nuclear engineer Jillian Holtzmann, and subway worker Patty Tolan band together to stop the otherworldly threat.
Peter Venkman, Ray Stantz and Egon Spengler work at Columbia University. where they delve into the paranormal and fiddle with many unethical experiments on their students. As they are kicked out of the University, they really understand the paranormal and go into business for themselves. Under the new snazzy business name of 'Ghostbusters', and living in the old firehouse building they work out of, they are called to rid New York City of paranormal phenomenon at everyone's whim. - for a price. They make national press as the media reports the Ghostbusters are the cause of it all. Thrown in jail by the EPA, the mayor takes a chance and calls on them to help save the city. Unbeknownst to all, a long dead Gozer worshiper (Evo Shandor) erected a downtown apartment building which is the cause of all the paranormal activity. They find out the building could resurrect the ancient Hittite god, Gozer, and bring an end to all of humanity. Who are you gonna call to stop this terrible ...Written by
The schedule for getting the movie into theaters for its release date in summer 1984 was so tight, director Ivan Reitman said that the final print included incomplete special effects shots and errors like visible wires but, "remarkably, people didn't care." See more »
When Ray is watching the Onionhead ghost circle the chandelier through his goggles, the ghost disappears in the last few frames before the cut. See more »
Dr. Peter Venkman:
All right, I'm gonna turn over the next card. Concentrate... I want you to tell me what you think it is.
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During the end credits, as the Ghostbusters are leaving in Ecto-1, three priests can be seen giving the last rites to a chunk of the Stay-Puft Marshmallow Man See more »
On the 70mm prints, the shot featuring the cover of The Atlantic, during the montage, is composited differently: the shot opens 'clean', then the cover slides in from the right, holds and then wipes to the left. On 35mm prints, the shot opens with the cover already in place. See more »
My favorite film as a child and still brilliant today!
I have special affection for this film. When I was a youngster, growing up between the ages of four and ten, this was my favorite film. I loved the whole Ghostbusters thing. I loved the sequel, the cartoon series, I had to have the toys and merchandise every Christmas, you name it. Strangely, as I have gotten older, I find myself appreciating the film more and more. When I was a child I loved it for the special effects, the gadgets and the ghostbusting especially. Nowadays I love it for the same reasons, but now that I'm older I find myself appreciating the dialog which is some of the funniest committed to a film, the oddball humor, like Venkman's line about dogs and cats living together and the in jokes, like Slimer being the ghost of John Belushi and Venkman rubbing his hand at glee at the thought of the money to be made from the merchandising of the ghostbusters brand. Not only that, but some 80's hairstyles aside, the film as aged remarkably well. My cousin who is five years old has developed a love for the whole Ghostbusters thing, showing that this is truly worthy of being branded one of the most successful films ever made.
Unlike many of today's blockbusters which are humorless and pompous thinking that they are serious films and forgetting about any sense of fun along with the complicated visual effects, Ghostbusters is funny and a fun paranormal movie. The set pieces are superb as we see the Ghostbusters going up against Slimer, Gozer and, undeniably the classic movie moment of the 80's, the Stay Puft Marshmallow Man. For a film made in 1984 the climax is very well done and looks exceedingly realistic, without any hint of clues as to the fact that it is a special effect. This is what going to the cinema should be all about. Fun with a capital F. All the actors get into it with great comedic aplomb. Bill Murray, one of the finest comedy actors to grace the screen, is superb as Peter Venkmen who gets the best lines in the film as well as the funniest moments. Just check out the "there is no Dana, only Zool" moment. Murray's priceless reaction to Dana Barrett's possession is one of the most side splitting moments I have ever seen. In fact, the casting is pretty much spot on. As well as Murray, we have co writers Dan Akyroyd and Harold Ramis sharing the spotlight as the fellow Ghostbusters, Sigourney Weaver making a wonderful damsel in distress, Rick Moranis is almost scene stealing as her nerd of a neighbor who becomes possessed himself, while Ernie Hudson and Annie Potts both put in wonderfully sardonic supporting roles who get their chances to shine.
Add to this one of the best theme tunes and a truly apocalyptic finale, it is no surprising that this was the biggest film of 1984. A summer blockbuster with humor, trills, spills and some of the best special effects money could buy at the time, this is truly a genuine classic and is one of the best Hollywood blockbusters ever made.
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