Biography of the Academy Award winning director including dramatic color footage of WWII.Biography of the Academy Award winning director including dramatic color footage of WWII.Biography of the Academy Award winning director including dramatic color footage of WWII.
- Awards
- 2 wins & 2 nominations
Pandro S. Berman
- Self
- (as Pandro Berman)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn a 2022 interview with Hawk Koch, George Stevens Jr. reflected on the importance of the film in his career: "I think it was actually in 1984 that I did it, not that long after my father had died. I think it remains the most satisfying thing I've ever done, to have been able to do that and really show who he was and what he did and to have it respected."
- Quotes
[first lines]
Self - Narrator: Centuries ago an artist scrawled on a wall, "Let something of me survive." When my father died, he left these things to me. I looked through them, hoping to learn more about the man I thought I knew best in all the world. Here I found his wartime diary. He had written, "Life is a journey and it's always most interesting when you're not sure where you're going."
- Alternate versionsEdited to approximately 60 minutes for broadcasting on "American Masters".
- ConnectionsEdited from George Stevens' World War II Footage (1946)
Featured review
No one can fault George Stevens Jr. for not wanting to make the movie that really ought to be made about his father-- the decline of a once-nimble and always intelligent filmmaker into the bloated self-consciousness of his 1950s films and the suffocating self- importance of his virtually unwatchable final work. But this is a frustratingly superficial work that misses what's interesting about early Stevens so that it can lavish praise on the noble intentions that were so disastrous to the later work. For instance, Stevens' apprenticeship at Hal Roach (where he directed Laurel and Hardy) is reduced to a soundbite about Stevens wanting a subtler approach to character-driven comedy than Roach-- as if Roach were Mack Sennett rather than the man who pioneered a subtler and more character-driven form of slapstick. If Stevens wanted to out-Roach Roach, that's surely a more interesting line of inquiry than making Roach out to be a hack. Likewise, Stevens is credited by Hermes Pan with inventing the idea of dance numbers that advanced the plot in Swing Time-- when seduction-by-dance had been a feature of the Astaire-Rogers films since The Gay Divorcee, and in any case it's doubtful how much Stevens would have had to do with the dance numbers' form. It would have been far more interesting (not to mention accurate) to have a real film critic explore the development of Stevens' style in these early house assignments, which in the end look like Stevens' most consistently fine work. Conversely, when we get to the postwar period, we hear only about Stevens' ideals and intentions, his encouragement of the actors and his technical innovations (Warren Beatty has a good anecdote to tell), but even well-chosen clips can't cover up the fact that Shane clothes a stock story in a handsomely muddly realism, that Giant is merely a ponderous soap opera, that Diary of Anne Frank, visually promising, is nearly unbearably wrong with those cute California kids telling each other Hallmark sentiments (in sadly ironic contrast to Stevens' own home movies of the camps)-- and that The Ghastliest Story Ever Told, the aircraft carrier of Jesus movies, is not even a movie but a series of visually exquisite, dramatically deadly religious postcards. By this period, almost any other series of similar films would be more interesting to examine-- who wouldn't rather hear Nicholas Ray talk about They Live By Night, Johnny Guitar and King of Kings, say? Or Anthony Mann talk about Winchester 73 and El Cid? Or Pasolini talk about how he was inspired to make The Gospel According to St. Matthew by how wrongheaded Stevens' Jesus was?
Details
- Release date
- Country of origin
- Language
- Also known as
- George Stevens
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 50 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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Top Gap
By what name was George Stevens: A Filmmaker's Journey (1984) officially released in India in English?
Answer