Andrew and Vicky McGee met while earning money as guinea pigs for an experiment at college. The experiment was shrouded in suspicion and mystery, and seemed to be related to psychic abilities. The two were married and had a daughter, Charlie, who has the ability to start fires by merely thinking about it, also known as pyrokinesis. Naturally, the government takes a great interest in Charlie, and operatives from the secret department known as "The Shop" want to quarantine and study her.Written by
Murray Chapman <email@example.com>
After reading the new screenplay by Stanley Mann and Director Mark L. Lester, Dino DeLaurentiis quipped that they basically adapted Stephen King's book entirely. Lester replied "You paid for it". DeLaurentiis was very happy with the end result of their work. See more »
When Andy grabs Charlie and runs (right after she sets fire to the airport security guard) she yells, "I didn't mean it, Daddy!" but her mouth never moves. See more »
Doctor Joseph Wanless:
Ever since this child was born, her father has been trying to inhibit her use of those powers. But what if his control had weakened now?
Why would he lose control, now, after all those years?
Doctor Joseph Wanless:
Ask yourself this question. How exhausting must it have been for Victoria and Andrew McGee when this child was an infant? The bottle is late, the baby cries, and at that moment, one of her toys right there in the crib beside her bursts into smokey flame.
Joe, she's just a little girl. She can light fires, ...
[...] See more »
[unused disclaimer, written for end titles; ended up on cutting-room floor] FIRESTARTER contains a purely fictional account of a small group of ruthless and corrupt scientific researchers and national-intelligence agents. These characters do not represent the United States government, and it would be erroneous and unfair to suggest that they do. The vast majority of North American intelligence and research personnel have demonstrated the utmost moral sense, regard for civilian welfare, and worthiness of the public trust. See more »
Young prodigy starts fires in one of the best Stephen King adaptations!
Despite the fact that the films usually revolve around good and interesting stories, film adaptations of Stephen King's works are often not the best horror movies. Firestarter isn't the best known of his books, and that's slightly odd as this film adaptation is one of the best based on his stories. The film takes obvious influence from Brian De Palma's 'The Fury', as aside from the fact that this one is about a young girl that can start fires, and De Palma's film features a boy with psychic abilities; the way that both plots play out is very similar indeed. The plot has a number of problems, and the characters don't always act logically; but this is offset by the likable nature of the film, and characters that are easy to get along with due to their relatively simplistic nature. The film follows the aftermath of an experiment in which people were given an experimental drug. The ultimate result of this experiment was a child born of Andy and Vicky McGee; a child with a unique ability known as 'pyrokinesis' - the ability to start fires at will.
The film benefits from a range of cult stars. A young Drew Barrymore takes the title role, and although her acting skills hadn't been honed by the time this film was released, and she is more than a little bit wooden; she provides an interesting lead. David Keith and Martin Sheen back her up well in supporting roles, but the main acting plaudits go to the great George C. Scott who is good in what is probably the meatiest role of the piece. The running time is a little long for a film like this, but it's well used and the fact that the story doesn't get caught up with needless elements such as the girl's mother and father falling in love is definitely a good thing. The plot is very relaxed for most of the way through, and director Mark L. Lester seems content to just let things play out. That is until the last fifteen minutes; when the plot reaches its full potential and explodes with a fun and exciting finale. The film does feel more than a little bit like a TV movie at times; and the dumbed down techno soundtrack doesn't help this. Overall, the film definitely isn't perfect; but it's an enjoyable watch and King films have definitely been a lot worse!
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