6.3/10
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69 user 73 critic

Dreamscape (1984)

A young psychic on the run from himself is recruited by a government agency experimenting with the use of the dream-sharing technology and is given the inverse task of planting an idea into the mind of the U.S. president.

Director:

Joseph Ruben

Writers:

David Loughery (story), David Loughery (screenplay) | 2 more credits »
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Cast

Cast overview, first billed only:
Dennis Quaid ... Alex Gardner
Max von Sydow ... Doctor Paul Novotny
Christopher Plummer ... Bob Blair
Eddie Albert ... The President
Kate Capshaw ... Jane DeVries
David Patrick Kelly ... Tommy Ray Glatman
George Wendt ... Charlie Prince
Larry Gelman ... Mr. Webber
Cory 'Bumper' Yothers Cory 'Bumper' Yothers ... Buddy
Redmond Gleeson Redmond Gleeson ... Snead
Peter Jason ... Babcock
Chris Mulkey ... Finch
Jana Taylor Jana Taylor ... Mrs. Webber
Madison Mason ... Fred Schoenstein
Kendall Carly Browne Kendall Carly Browne ... Mrs. Matusik
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Storyline

A government funded project looks into using psychics to enter people's dreams, with some mechanical help. When a subject dies in his sleep from a heart attack Alex Gardner becomes suspicious that another of the psychics is killing people in the dreams somehow and that is causing them to die in real life. He must find a way to stop the abuse of the power to enter dreams. Written by Zaphod <aaa@scs.leeds.ac.uk>

Plot Summary | Add Synopsis

Taglines:

Who in hell has peace of mind..? See more »


Certificate:

PG-13 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

17 August 1984 (USA) See more »

Also Known As:

El túnel de las pesadillas See more »

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Box Office

Opening Weekend USA:

$2,257,000, 19 August 1984, Wide Release

Gross USA:

$11,484,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Was the second film to be Rated PG-13 under then new MPAA ratings guidelines following Red Dawn (1984), which had come out weeks prior to this film's release. See more »

Goofs

As Alex is sneaking back into the facility at the loading dock doors, 2 armed Government agents walk by on patrol with a dog (a Doberman Pinscher). Alex hides behind a nearby bush, while the agents and the dog walk past without noticing him. Obviously, the agents are using the dog to foil anyone simply 'hiding' from them, yet the dog does not notice Alex. See more »

Quotes

Tommy Ray Glatman: [Alex turns into Tommy's father] Daddy? Daddy, I'm sorry!
See more »

Alternate Versions

When reclassified by the BBFC in 2000 the nunchaku weapon was no longer deemed a problem to pass on film following a weapons rethink in 1999. The BBFC waived the 28 seconds of cuts made to previous versions. Dreamscape was cut for the UK cinema upon original release in 1984 and video issues also suffered the same edits. The scene on the train where Alex meets Tommy is shorter as it features the infamous nunchaku, which rarely made it onto the British Screen at this time, and shots of a man's severed heart were also removed by the UK censor. This scene can be seen in the TV version which was shown on BBC1 albeit minus a few "strong" words. When the BBFC reclassified the film in 2000 under newer guidelines the nunchaku was no longer a problem and they waived the aforementioned cuts. See more »

Connections

Referenced in Curse of the Comet with David B. Miller (2013) See more »

Soundtracks

Baby, Can't We Take It Home
Composed and Produced by Craig Huxley (as Craig Hundley)
See more »

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User Reviews

 
Could have been a contender
25 July 2005 | by enricoleperaSee all my reviews

The idea is fantastic. Can you imagine being able to get into other people's dreams, watch them, interact with them. The problem is, the plot is inconclusive and becomes kind of a TV movie along the way. It would make a fantastic remake with a stronger cast and director. However, movies about dreaming are always scary because they touch on something so close and yet inexplicable to all of us. I saw recently a short movie from Italy entitled "Xchange" which is the closest to this one in terms of innovation insofar as the subject is concerned. Not an easy area to tell a long story about. Dreams are often used as omens or hints of psychological discomfort in movies. Instead, it would be great if they could be regarded as something different: a world of their own, a parallel state of mind no less real than real life itself. Someone should redo Dreamscape!


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