User ReviewsReview this title
The main thing that holds it all together is Richard Pearce, a director who makes personal, legitimate films as opposed to big events and images. Five years earlier, he covered similar ground in his first film, "Heartland". I'm a firm believer that great cinematography can make a great film. If something is worth looking at, the first steps are already covered. It's not that David M. Walsh is necessarily shooting in a mindblowing, new way, but Pearce gives him wonderful things to photograph. There's so much time given to just let things happen. The final scene is a perfect example. The wordless, drawn-out connection of two humans. It seems to go forever. This film lets you watch at the most perfect, crucial moments.
The actors. What can I say about them? They're utterly convincing, and that's got to be the main and almighty concern for any film-goer. Jessica Lange, Sam Shepard, and Wilford Brimley are all more human than some of the bigger stars that might have been picked to act in such a film. They still have that sense of not being watched, at least enough so that they can live a character untouched. Lange, who I've seen in several films, never quite impressed me like she does here. Brimley, the glorious character actor who made a career in the 1980s playing 'that guy' in quiet dramas, is very much welcome here. In fact, I can't ever remember an instance when I regretted seeing him on film. He adds needed personality to the mix. The children (played by Theresa Graham and Levi Knebel) don't ever feel less than perfectly real.
There are a lot of parts to this film, passages and images. In fact, that's what most makes it all work. If one thought feels out of place, humanity strikes again like lightning. Yes, there is the obligatory Big Statement scene, where the music swells and all poor farmers rise up against the Man. And yes, it is almost that bad. But even though it might make your eyes roll, there's far too much real life and human subtlety on display in "Country" for such a tired scene to crush it.
Richard Pearce directs true, quiet dramas. If you want more of what you felt watching this, seek out these other films by him - Threshold (1981), The Long Walk Home (1990), A Family Thing (1996).
The plot focuses on details of the family's everyday life, and the grief the FHA causes. Characters spend a lot of time at the dinner table talking and eating. Outdoor shots feature a typical Midwest farm setting. Absence of background music in some segments, detailed production design, and ambient sound effects all combine to convey a heightened sense of realism. Overall acting trends well above average. Jessica Lange is quite good as the mother who holds the family together and takes action against the FHA.
On the other hand, the setting and the characters tend to be stereotypical and shallow, except perhaps for the father.
Good editing keeps the plot moving. Even so, I don't think this film would fly today. It's too quiet, too introspective, too slow for modern, especially urban, viewers. Which is unfortunate, because the film speaks to ordinary people regardless of whether they live in cities or on farms.
Politically, I'm afraid that not a lot has changed in America since this film was released in 1984. Imperial institutions still oppress and tyrannize. And films like "Country", "The Grapes Of Wrath", and others, effectively document this tragic historical reality.