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A Christmas Carol (1984)

An old bitter miser who rationalizes his uncaring nature learns real compassion when three spirits visit him on Christmas Eve.

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(novel), (screenplay)
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Nominated for 1 Primetime Emmy. See more awards »

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Cast

Cast overview, first billed only:
... Ebenezer Scrooge
... Jacob Marley
... Ghost of Christmas Past
... Ghost of Christmas Present
... Ghost of Christmas Yet to Come
... Bob Cratchit
... Mrs. Cratchit
Anthony Walters ... Tiny Tim
... Fred Holywell / Narrator
... Janet Holywell
... Belle
... Silas Scrooge
... Young Scrooge
... Fan
... Mr. Fezziwig
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Storyline

Made for television version of the Charles Dickens classic of the same name. Ebenezer Scrooge is a hard-nosed, single-minded businessman in Victorian London. He has no friends, has disowned his only living relative - his nephew Fred Holywell - and generally treats everyone he meets with extreme contempt. He hates Christmas, only cares about making money and only gives his clerk, Bob Cratchit, the day off. However, he is taught the true meaning and spirit of Christmas by three ghosts who show him his own past and present. He is also shown what the future holds for him after his death if he doesn't change his behavior for the better. Written by Jason Ihle <jrihl@conncoll.edu>

Plot Summary | Plot Synopsis

Taglines:

Rediscover the Joy of Christmas Spirit! See more »

Genres:

Drama | Family | Fantasy

Certificate:

PG | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

17 December 1984 (USA)  »

Also Known As:

Charles Dickens Weihnachtsgeschichte  »

Filming Locations:

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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Charles Dickens lost the rights to his original story "A Christmas Carol" in a court dispute that was brought about by numerous impostors claiming the story as their own. However following the suit, Dickens wrote an equally successful novel called "Bleak House," about the corruption of the English Courts. See more »

Goofs

When the Ghost of Christmas Yet to Come takes Scrooge to the cemetery, and Scrooge asks why they are here, you can see a rope at the bottom of the screen that pulls the Ghost across the graveyard to simulate it floating across on air. See more »

Quotes

Ebenezer Scrooge: Where are we now? I'm sure I don't know this place.
Ghost of Christmas Present: The name would mean nothing to you. It's a place, like many in this world.
Meg: Do we have enough wood for the night?
Ben: Ah, it'll last through the night. At least there's one thing still free in this country.
Meg: [Checking the food the children are cooking over the fire] Mary, Peter they're cooked.
Peter (their son): They're too hot.
Meg: They'll be cold soon enough.
Mary (their daughter): Where did you get these father?
Ben: I didn't steal them, if that's what you say.
Meg: She didn't say you stole them.
[...]
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Connections

Version of The Alcoa Hour: The Stingiest Man in Town (1956) See more »

Soundtracks

The Holly and the Ivy
(uncredited)
Traditional, music first published by Cecil J. Sharp, arranged by H. Walford Davies
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Frequently Asked Questions

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User Reviews

 
My favorite Christmas Carol
13 December 2006 | by See all my reviews

You could stage a version of Charles Dickens' "A Christmas Carol" with sock puppets and I'll probably watch it. Ever since I was a child, this has been one of my favorite stories. Maybe it's the idea that there is good in everyone, and that therefore no one is beyond redemption, that appeals to me, but for whatever reason I never miss an opportunity to watch one of the many screen adaptations of this timeless classic when they're on TV as they inevitably are this time of year.

What makes this version really stand out is the somber gravitas that the cast bring to their respective roles. Lines we've heard dozens of times in the past take on a whole new intensity, and each character becomes more real and believable in the hands of this wonderful ensemble.

George C. Scott was nominated for an Emmy in 1985 for this role. It is to his everlasting credit that rather than sleepwalking through this oft-portrayed role of Scrooge, he instead gave it a fresh interpretation that was, in my opinion, one of his finest performances ever. He wisely did not attempt a British accent, instead delivering his lines in that famous gravelly voice. His Scrooge is not merely a cranky old man (as he is so often portrayed), but a man who harbors a profound anger against the world. As he is visited in turn by each of the Three Spirits, we understand how this anger took root, grew, and ultimately strangled his soul. As he is forced to review his life, we see him alternately softening, and then relapsing again into unrepentant obstinacy. And in the great dramatic scene when he, kneeling and weeping at his own grave, begs for mercy as he attempts to convince the third spirit of his repentance and desire to alter his life, we see a man who has been utterly broken and brought to his knees literally and figuratively. Scott has made Scrooge utterly believable and painfully human.

Impressive as Scott's performance is, the ensemble of supporting actors contributes significantly the this version's dark beauty. Fred Holywell, Scrooge's nephew, is an excellent example of this. Often portrayed as an affable buffoon, here he is played by Roger Rees with an emotional intensity missing from earlier portrayals. When he implores Scrooge, "I ask nothing of you. I want nothing from you. Why can't we be friends?", we see in his face not only his frustration, but his pain at Scrooge's self-imposed separation from his only living relative. It is a moving performance, and one of the movie's most dramatic scenes.

Even more magnificent is the performance given by the wonderful English actor Frank Finlay as Scrooge's late partner, Jacob Marley. In most versions of this tale, the scene with Marley tends to be a bit of a low point in the film, simply because it's difficult to portray a dead man convincingly, and the results are usually just plain silly (ooooh, look, it's a scary ghost.......not!) In this version, it is perhaps the most riveting scene in the whole movie. Marley's entrance, as the locks on Scrooge's door fly open of their own accord and the sound of chains rattling echo throughout the house, is wonderfully creepy. But Finlay's Marley is no ethereal spirit. He is a tortured soul, inspiring both horror and pity. Marley may be a ghost, but his rage and regret over a life wasted on the pursuit of wealth, and his despair at his realization that his sins are now beyond redress, are still very human. As portrayed by Finlay, we have no problem believing that even the flinty Scrooge would be shaken by this nightmarish apparition. Finlay really steals the scene here, something not easy to do when you're opposite George C. Scott.

And it just goes on and on, one remarkable performance after another, making it seem like you're experiencing this story for the first time. Edward Woodward (remember him from the Equalizer?) is by turns both jovial and menacing as the Ghost of Christmas Present. When he delivers the famous line, "it may well be that in the sight of Heaven you are more worthless and less fit to live than MILLIONS like this poor man's child" he is no longer a jolly Santa Claus surrogate, but an avenging angel who gives Scrooge a much needed verbal spanking.

Susannah York is a wonderfully tart tongued Mrs. Cratchit, and David Warner brings marvelous depth to the long suffering Bob Cratchit, a man who goes through life bearing the triple crosses of poverty, a sick child, and an insufferable boss. His face alternately shows his cheerful courage, and also, at times, his weariness, in the face of intolerable circumstances. Later, in the scene in which Scrooge is shown by the Ghost of Christmas Yet to Come the Cratchit family after the death of Tiny Tim, Warner's performance, while hardly uttering a word, will move you to tears.


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